Monsieur, Madame, and Bébé — CompleteDroz, Gustave
General
Monsieur, Madame, and Bébé — Complete
Droz, Gustave
Family life -- Fiction; French fiction -- Translations into English
The first person I saw was Oscar, clad in white from head to foot, and
wearing a straw hat. He was seated on an enormous block of stone which
seemed part and parcel of the house, and appeared very much interested
in a fine melon which his gardener had just brought to him. No sooner
had he caught sight of me than he darted forward and grasped me by the
hand with such an expression of good-humor and affection that I said to
myself, “Yes, certainly he was not deceiving me, he is happy.” I found
him just as I had known him in his youth, lively, rather wild, but kind
and obliging.
“Pierre,” said he to the gardener, “take this gentleman’s portmanteau to
the lower room,” and, as the gardener bestirred himself slowly and with
an effort, Oscar seized the portmanteau and swung it, with a jerk, on to
the shoulders of the poor fellow, whose legs bent under the weight.
“Lazybones,” said Oscar, laughing heartily. “Ah! now I must introduce
you to my little queen. My wife, where is my wife?”
He ran to the bell and pulled it twice. At once a fat cook with a red
face and tucked-up sleeves, and behind her a man-servant wiping a plate,
appeared at the ground-floor windows. Had they been chosen on purpose?
I do not know, but their faces and bearing harmonized so thoroughly with
the picture that I could not help smiling.
“Where is your mistress?” asked Oscar, and as they did not answer
quickly enough he exclaimed, “Marie, Marie, here is my friend George.”
A young girl, fair as a lily, appeared at a narrow, little window, the
one most garlanded by, flowers, on the first floor. She was clad in a
white dressing-gown of some particular shape; I could not at first make
out. With one hand she gathered its folds about her, and with the other
restrained her flowing hair. Hardly had she seen me when she blushed,
somewhat ashamed, no doubt, at having been surprised in the midst of
her toilet, and, giving a most embarrassed yet charming bow; hurriedly
disappeared. This vision completed the charm; it seemed to me that I had
suddenly been transported into fairy-land. I had fancied when strapping
my portmanteau that I should find my friend Oscar installed in one of
those pretty, little, smart-looking houses, with green shutters and gilt
lightning-conductor, dear to the countrified Parisian, and here I found
myself amid an ideal blending of time-worn stones hidden in flowers,
ancient gables, and fanciful ironwork reddened by rust. I was right
in the midst of one of Morin’s sketches, and, charmed and stupefied, I
stood for some moments with my eyes fixed on the narrow window at which
the fair girl had disappeared.
Public-domain text, read in full here on John Shaqi.
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