Opposite these, in the south aisle, the series begins next the tower with John the Evangelist, followed by Saint Mary Magdalen, given by the Water-Carriers. The third, the Good Samaritan, given by the Shoemakers, has a rival at Sens which critics think even better. The fourth is the Death, Assumption, and Coronation of the Virgin. Then comes the fifteenth-century Chapel of Vendome, to compare the early and later glass. The sixth is, or was, devoted to the Virgin's Miracles at Chartres; but only one complete subject remains. These windows light the two aisles of the nave and decorate the lower walls of the church with a mass of colour and variety of line still practically intact in spite of much injury; but the windows of the transepts on the same level have almost disappeared, except the Prodigal Son and a border to what was once a Saint Lawrence, on the north; and, on the south, part of a window to Saint Apollinaris of Ravenna, with an interesting hierarchy of angels above:--seraphim and cherubim with six wings, red and blue; Dominations; Powers; Principalities; all, except Thrones. All this seems to be simple enough, at least to the people for whom the nave was built, and to whom the windows were meant to speak. There is nothing esoteric here; nothing but what might have suited the great hall of a great palace. There is no difference in taste between the Virgin in the choir, and the Water-Carriers by the doorway. Blanche, the young Queen, liked the same colours, legends, and lines that her Grocers and Bakers liked. All equally loved the Virgin. There was not even a social difference. In the choir, Thibaut, the Count of Chartres, immediate lord of the province, let himself be put in a dark corner next the Belle Verriere, and left the Bakers to display their wealth in the most serious spot in the church, the central window of the central chapel, while in the nave and transepts all the lower windows that bear signatures were given by trades, as though that part of the church were abandoned to the commons. One might suppose that the feudal aristocracy would have fortified itself in the clerestory and upper windows, but even there the bourgeoisie invaded them, and you can see, with a glass, the Pastrycooks and Turners looking across at the Weavers and Curriers and Money-Changers, and the "Men of Tours." Beneath the throne of the Mother of God, there was no distinction of gifts; and above it the distinction favoured the commonalty.