Cathédrale de Chartres; Civilization, Medieval; Mont-Saint-Michel (Abbey : France)
artificial society of the twelfth century, as it did in that of the
nineteenth. The task of the French poet was to tone it down and give
it the fashionable dress, the pointed shoes and long sleeves, of the
time. "The Frenchman," says Gaston Paris, "is specially interested
in making his story entertaining for the society it is meant for; he
is 'social'; that is, of the world; he smiles at the adventures he
tells, and delicately lets you see that he is not their dupe; he
exerts himself to give to his style a constant elegance, a uniform
polish, in which a few neatly turned, clever phrases sparkle here
and there; above all, he wants to please, and thinks of his audience
more than of his subject."
In the twelfth century he wanted chiefly to please women, as Orderic
complained; Isolde came out of Brittany to meet Eleanor coming up
from Guienne, and the Virgin from the east; and all united in giving
law to society. In each case it was the woman, not the man, who gave
the law;--it was Mary, not the Trinity; Eleanor, not Louis VII;
Isolde, not Tristan. No doubt, the original Tristan had given the
law like Roland or Achilles, but the twelfth-century Tristan was a
comparatively poor creature. He was in his way a secondary figure in
the romance, as Louis VII was to Eleanor and Abelard to Heloise.
Every one knows how, about twenty years before Eleanor came to
Paris, the poet-professor Abelard, the hero of the Latin Quarter,
had sung to Heloise those songs which--he tells us--resounded
through Europe as widely as his scholastic fame, and probably to
more effect for his renown. In popular notions Heloise was Isolde,
and would in a moment have done what Isolde did (Bartsch, 107-08):--
Quaint reis Marcs nus out conjeies
E de sa curt nus out chascez,
As mains ensemble nus preismes
E hors de la sale en eissimes,
A la forest puis en alasmes
E un mult bel liu i trouvames
E une roche, fu cavee,
Devant ert estraite la entree,
Dedans fu voesse ben faite,
Tante bel cum se fust portraite.
When King Marc had banned us both,
And from his court had chased us forth,
Hand in hand each clasping fast
Straight from out the hall we passed;
To the forest turned our face;
Found in it a perfect place,
Where the rock that made a cave
Hardly more than passage gave;
Spacious within and fit for use,
As though it had been planned for us.
Public-domain text, read in full here on John Shaqi.
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