Cathédrale de Chartres; Civilization, Medieval; Mont-Saint-Michel (Abbey : France)
La mere dieu qui maint chetif
A retrait de chetivete
Par sa grant debonnairte
Par sa courtoise courtoisie
Au las qui tant l'apele et prie
Ignelement s'est demonstree,
D'une coronne corronnee
Plaine de pierres precieuses
Si flamboianz si precieuses
Pour pou li euil ne li esluisent.
Si netement ainsi reluisent
Et resplendissent com la raie
Qui en este au matin raie.
Tant par a bel et cler le vis
Que buer fu mez, ce li est vis,
Qui s'i puest assez mirer.
"Cele qui te fait soupirer
Et en si grant erreur t'a mis,"
Fait nostre dame, "biau douz amis,
Est ele plus bele que moi?"
Li chevaliers a tel effroi
De la clarte, ne sai que face;
Ses mains giete devant sa face;
Tel hide a et tel freeur
Chaoir se laisse de freeur;
Mais cele en qui pitie est toute
Li dist: "Amis, or n'aies doute!
Je suis cele, n'en doute mie,
Qui te doi faire avoir t'amie.
Or prens garde que tu feras.
Cele que tu miex ameras
De nous ii auras a amie."
God's Mother who to many a wretch
Has brought relief from wretchedness.
By her infinite goodness,
By her courteous courteousness,
To her suppliant in distress
Came from heaven quickly down;
On her head she bore the crown,
Full of precious stones and gems
Darting splendour, flashing flames,
Till the eye near lost its sight
In the keenness of the light,
As the summer morning's sun
Blinds the eyes it shines upon.
So beautiful and bright her face,
Only to look on her is grace.
"She who has caused you thus to sigh,
And has brought you to this end,"--
Said Our Lady,--"Tell me, friend,
Is she handsomer than I?"
Scared by her brilliancy, the knight
Knows not what to do for fright;
He clasps his hands before his face,
And in his shame and his disgrace
Falls prostrate on the ground with fear;
But she with pity ever near
Tells him:--"Friend, be not afraid!
Doubt not that I am she whose aid
Shall surely bring your love to you;
But take good care what you shall do!
She you shall love most faithfully
Of us two, shall your mistress be."
Public-domain text, read in full here on John Shaqi.
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