Cathédrale de Chartres; Civilization, Medieval; Mont-Saint-Michel (Abbey : France)
On the lintel immediately above the doorway is a succession of small
groups: first, the Annunciation; Mary stands to receive the
Archangel Gabriel, who comes to announce to her that she is chosen
to be the Mother of God. The second is the Visitation, and in this
scene also Mary stands, but she already wears a crown; at least, the
Abbe Bulteau says so, although time has dealt harshly with it. Then,
in the centre, follows the Nativity; Mary lies on a low bed,
beneath, or before, a sort of table or cradle on which lies the
Infant, while Saint Joseph stands at the bed's head. Then the angel
appears, directing three shepherds to the spot, filling the rest of
the space.
In correct theology, the Virgin ought not to be represented in bed,
for she could not suffer like ordinary women, but her palace at
Chartres is not much troubled by theology, and to her, as empress-
mother, the pain of child-birth was a pleasure which she wanted her
people to share. The Virgin of Chartres was the greatest of all
queens, but the most womanly of women, as we shall see; and her
double character is sustained throughout her palace. She was also
intellectually gifted in the highest degree. In the upper zone you
see her again, at the Presentation in the Temple, supporting the
Child Jesus on the altar, while Simeon aids. Other figures bring
offerings. The voussures of the arch above contain six archangels,
with curious wings, offering worship to the Infant and His Imperial
Mother. Below are the signs of the zodiac; the Fishes and the Twins.
The rest of the arch is filled by the seven liberal arts, with
Pythagoras, Aristotle, Cicero, Euclid, Nicomachus, Ptolemy, and
Priscian as their representatives, testifying to the Queen's
intellectual superiority.
In the centre sits Mary, with her crown on her head and her Son in
her lap, enthroned, receiving the homage of heaven and earth; of all
time, ancient and modern; of all thought, Christian and Pagan; of
all men, and all women; including, if you please, your homage and
mine, which she receives without question, as her due; which she
cannot be said to claim, because she is above making claims; she is
empress. Her left hand bore a sceptre; her right supported the
Child, Who looks directly forward, repeating the Mother's attitude,
and raises His right hand to bless, while His left rests on the orb
of empire. She and her Child are one.
Public-domain text, read in full here on John Shaqi.
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