Cathédrale de Chartres; Civilization, Medieval; Mont-Saint-Michel (Abbey : France)
Another matter for which the female taste seemed not much to care
was theology in the metaphysical sense. Mary troubled herself little
about theology except when she retired into the south transept with
Pierre de Dreux. Even there one finds little said about the Trinity,
always the most metaphysical subtlety of the Church. Indeed, you
might find much amusement here in searching the cathedral for any
distinct expression at all of the Trinity as a dogma recognized by
Mary.
One cannot take seriously the idea that the three doors, the three
portals, and the three aisles express the Trinity, because, in the
first place, there was no rule about it; churches might have what
portals and aisles they pleased; both Paris and Bourges have five;
the doors themselves are not allotted to the three members of the
Trinity, nor are the portals; while another more serious objection
is that the side doors and aisles are not of equal importance with
the central, but mere adjuncts and dependencies, so that the
architect who had misled the ignorant public into accepting so black
a heresy would have deserved the stake, and would probably have gone
to it. Even this suggestion of trinity is wanting in the transepts,
which have only one aisle, and in the choir, which has five, as well
as five or seven chapels, and, as far as an ignorant mind can
penetrate, no triplets whatever. Occasionally, no doubt, you will
discover in some sculpture or window, a symbol of the Trinity, but
this discovery itself amounts to an admission of its absence as a
controlling idea, for the ordinary worshipper must have been at
least as blind as we are, and to him, as to us, it would have seemed
a wholly subordinate detail. Even if the Trinity, too, is anywhere
expressed, you will hardly find here an attempt to explain its
metaphysical meaning--not even a mystic triangle.
The church is wholly given up to the Mother and the Son. The Father
seldom appears; the Holy Ghost still more rarely. At least, this is
the impression made on an ordinary visitor who has no motive to be
orthodox; and it must have been the same with the thirteenth-century
worshipper who came here with his mind absorbed in the perfections
of Mary. Chartres represents, not the Trinity, but the identity of
the Mother and Son. The Son represents the Trinity, which is thus
absorbed in the Mother. The idea is not orthodox, but this is no
affair of ours. The Church watches over its own.
Public-domain text, read in full here on John Shaqi.
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