The _raksasas_, guardians of the ruins of the principal structure, bear the date 1242 Saka (A.D. 1320); a minor temple and terrace give the dates 1369 and 1375, from which it has been concluded that they were added in the reign of Ratu Kenya’s son Hayam Wurook. The edifice rose from a square base and large statues of Siva as Kala adorn the feet of the staircases which lead to the first and second terrace. Of the temple proper not a stone is left; the walls of pit and terraces are covered with sculpture, a sort of griffins on the highest, scenes from the _Ramayana_ and illustrations of other popular poems and fables on the lower ones, beautiful work but irreparably damaged by official bungling. As if the apathy which suffered this noble monument to be despoiled and the providentially undemolished parts to crumble away, had not done enough harm, an amateur invested with local authority conceived a plan of restoration and preservation on official lines, that beat even the methods of the art-connoisseurs of the chain-gang to whom the care for the antiquities at Jogjakarta is entrusted, which would make reconstruction impossible for all time to come and deface the ornament in the thoroughest possible way. In obedience to a Government resolution of June 22, 1900, Nr. 18, the Batavian Society of Arts and Sciences having been consulted with a view to save the _chandi_ Panataran from further decay, the Contrôleur in charge of the administrative division within whose boundaries it is situated, engaged native masons who, following their instructions, cemented, plastered and whitewashed to the tune of fl. 989.10 (about £82) with the magnificent result that the upper terrace has been transformed into a thickly plastered reception-bower for picnic parties; that everything has received a neat coat of whitewash to rejoice the hearts of housewives out for the day with their husbands, little family and friends; that the architectural detail has been hidden under solid layers of mortar and cement. Plaster, whitewash and cement everywhere: the noses and other extremities of the scanty statuary still in place but injured by time and hand of man, have been touched up with it; from top to bottom it has been smeared over whatever could be reached, making the venerable old temple hideously ridiculous--an orgy of “conservation” in the pernicious official acceptance of the word, hoary age being ravaged by cheap, destructive “tidying up”. This is how the theory of Government solicitude for the ancient monuments of Java works out in practice.