Till now she had shunned the library as one shuns the spot where one has
suffered most. But as she passed the open door the gloom that reigned
within seemed typical of that which had fallen on its absent master, and
following the impulse of the moment Sylvia went in to light it with the
little glimmer of her lamp. Nothing had been touched, for no hand but
her own preserved the order of this room, and all household duties had
been neglected on that day. The old chair stood where she had left it,
and over its arm was thrown the velvet coat, half dressing-gown, half
blouse, that Moor liked to wear at this household trysting-place. Sylvia
bent to fold it smoothly as it hung, and feeling that she must solace
herself with some touch of tenderness, laid her cheek against the soft
garment, whispering "Good night." Something glittered on the cushion of
the chair, and looking nearer she found a steel-clasped book, upon the
cover of which lay a dead heliotrope, a little key.
It was Moor's Diary, and now she understood that passage of the note
which had been obscure before. "I leave that behind me which will speak
to you more kindly, calmly, than I can now, and show you that my effort
has been equal to my failure." She had often begged to read it,
threatened to pick the lock, and felt the strongest curiosity to learn
what was contained in the long entries that he daily made. Her requests
had always been answered with the promise of entire possession of the
book when the year was out. Now he gave it, though the year was not
gone, and many leaves were yet unfilled. He thought she would come to
this room first, would see her morning flower laid ready for her, and,
sitting in what they called their Refuge, would draw some comfort for
herself, some palliation for his innocent offence, from the record so
abruptly ended.
She took it, went away to her own room, unlocked the short romance of
his wedded life, and found her husband's heart laid bare before her.
It was a strange and solemn thing to look so deeply into the private
experience of a fellow-being; to trace the birth and progress of
purposes and passions, the motives of action, the secret aspirations,
the besetting sins that made up the inner life he had been leading
beside her. Moor wrote with an eloquent sincerity, because he had put
himself into his book, as if feeling the need of some _confidante_ he
had chosen the only one that pardons egotism. Here, too, Sylvia saw her
chameleon self, etched with loving care, endowed with all gifts and
graces, studied with unflagging zeal, and made the idol of a life.
Public-domain text, read in full here on John Shaqi.
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