Short stories; United States -- Social life and customs -- 20th century -- Fiction
For the first time Lute became really frightened. She spurred Washoe Ban
in pursuit, but he could not hold his own with the mad mare, and dropped
gradually behind. Lute saw Dolly check and rear in the air again, and
caught up just as the mare made a second bolt. As Dolly dashed around a
bend, she stopped suddenly, stiff-legged. Lute saw her lover torn out of
the saddle, his thigh-grip broken by the sudden jerk. Though he had lost
his seat, he had not been thrown, and as the mare dashed on Lute saw him
clinging to the side of the horse, a hand in the mane and a leg across
the saddle. With a quick cavort he regained his seat and proceeded to
fight with the mare for control.
But Dolly swerved from the road and dashed down a grassy slope yellowed
with innumerable mariposa lilies. An ancient fence at the bottom was
no obstacle. She burst through as though it were filmy spider-web and
disappeared in the underbrush. Lute followed unhesitatingly, putting Ban
through the gap in the fence and plunging on into the thicket. She lay
along his neck, closely, to escape the ripping and tearing of the trees
and vines. She felt the horse drop down through leafy branches and into
the cool gravel of a stream’s bottom. From ahead came a splashing of
water, and she caught a glimpse of Dolly, dashing up the small bank and
into a clump of scrub-oaks, against the trunks of which she was trying
to scrape off her rider.
Lute almost caught up amongst the trees, but was hopelessly outdistanced
on the fallow field adjoining, across which the mare tore with a fine
disregard for heavy ground and gopher-holes. When she turned at a sharp
angle into the thicket-land beyond, Lute took the long diagonal, skirted
the ticket, and reined in Ban at the other side. She had arrived first.
From within the thicket she could hear a tremendous crashing of brush
and branches. Then the mare burst through and into the open, falling
to her knees, exhausted, on the soft earth. She arose and staggered
forward, then came limply to a halt. She was in lather-sweat of fear,
and stood trembling pitiably.
Chris was still on her back. His shirt was in ribbons. The backs of his
hands were bruised and lacerated, while his face was streaming blood
from a gash near the temple. Lute had controlled herself well, but now
she was aware of a quick nausea and a trembling of weakness.
“Chris!” she said, so softly that it was almost a whisper. Then she
sighed, “Thank God.”
“Oh, I’m all right,” he cried to her, putting into his voice all the
heartiness he could command, which was not much, for he had himself been
under no mean nervous strain.
He showed the reaction he was undergoing, when he swung down out of
the saddle. He began with a brave muscular display as he lifted his
leg over, but ended, on his feet, leaning against the limp Dolly for
support. Lute flashed out of her saddle, and her arms were about him in
an embrace of thankfulness.
“I know where there is a spring,” she said, a moment later.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account