Short stories; United States -- Social life and customs -- 20th century -- Fiction
But Aunt Mildred drew her shawl more closely around her and hastened
them to the business in hand. On the table was a sheet of paper. On the
paper, rifling on three supports, was a small triangular board. Two of
the supports were easily moving casters. The third support, placed at
the apex of the triangle, was a lead pencil.
“Who’s first?” Uncle Robert demanded.
There was a moment’s hesitancy, then Aunt Mildred placed her hand on the
board, and said: “Some one has always to be the fool for the delectation
of the rest.”
“Brave woman,” applauded her husband. “Now, Mrs. Grantly, do your
worst.”
“I?” that lady queried. “I do nothing. The power, or whatever you care
to think it, is outside of me, as it is outside of all of you. As to
what that power is, I will not dare to say. There is such a power. I
have had evidences of it. And you will undoubtedly have evidences of
it. Now please be quiet, everybody. Touch the board very lightly, but
firmly, Mrs. Story; but do nothing of your own volition.”
Aunt Mildred nodded, and stood with her hand on Planchette; while the
rest formed about her in a silent and expectant circle. But nothing
happened. The minutes ticked away, and Planchette remained motionless.
“Be patient,” Mrs. Grantly counselled. “Do not struggle against any
influences you may feel working on you. But do not do anything yourself.
The influence will take care of that. You will feel impelled to do
things, and such impulses will be practically irresistible.”
“I wish the influence would hurry up,” Aunt Mildred protested at the end
of five motionless minutes.
“Just a little longer, Mrs. Story, just a little longer,” Mrs. Grantly
said soothingly.
Suddenly Aunt Mildred’s hand began to twitch into movement. A mild
concern showed in her face as she observed the movement of her hand and
heard the scratching of the pencil-point at the apex of Planchette.
For another five minutes this continued, when Aunt Mildred withdrew her
hand with an effort, and said, with a nervous laugh:
“I don’t know whether I did it myself or not. I do know that I was
growing nervous, standing there like a psychic fool with all your solemn
faces turned upon me.”
“Hen-scratches,” was Uncle Robert’s judgement, when he looked over the
paper upon which she had scrawled.
“Quite illegible,” was Mrs. Grantly’s dictum. “It does not resemble
writing at all. The influences have not got to working yet. Do you try
it, Mr. Barton.”
That gentleman stepped forward, ponderously willing to please, and
placed his hand on the board. And for ten solid, stolid minutes he stood
there, motionless, like a statue, the frozen personification of the
commercial age. Uncle Robert’s face began to work. He blinked, stiffened
his mouth, uttered suppressed, throaty sounds, deep down; finally he
snorted, lost his self-control, and broke out in a roar of laughter.
All joined in this merriment, including Mrs. Grantly. Mr. Barton laughed
with them, but he was vaguely nettled.
Public-domain text, read in full here on John Shaqi.
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