Short stories; United States -- Social life and customs -- 20th century -- Fiction
“Don’t say anything to him about this second message, Mrs. Grantly,
please, and Mr. Barton. Nor to Aunt Mildred. It would only cause them
irritation and needless anxiety.”
In her mind there was also the desire to protect her lover, for she knew
that the strain of his present standing with her aunt and uncle would
be added to, unconsciously in their minds, by the weird message of
Planchette.
“And please don’t let us have any more Planchette,” Lute continued
hastily. “Let us forget all the nonsense that has occurred.”
“‘Nonsense,’ my dear child?” Mrs. Grantly was indignantly protesting
when Uncle Robert strode into the circle.
“Hello!” he demanded. “What’s being done?”
“Too late,” Lute answered lightly. “No more stock quotations for you.
Planchette is adjourned, and we’re just winding up the discussion of the
theory of it. Do you know how late it is?”
* * *
“Well, what did you do last night after we left?”
“Oh, took a stroll,” Chris answered.
Lute’s eyes were quizzical as she asked with a tentativeness that was
palpably assumed, “With—a—with Mr. Barton?”
“Why, yes.”
“And a smoke?”
“Yes; and now what’s it all about?”
Lute broke into merry laughter. “Just as I told you that you would do.
Am I not a prophet? But I knew before I saw you that my forecast had
come true. I have just left Mr. Barton, and I knew he had walked with
you last night, for he is vowing by all his fetishes and idols that you
are a perfectly splendid young man. I could see it with my eyes shut.
The Chris Dunbar glamour has fallen upon him. But I have not finished
the catechism by any means. Where have you been all morning?”
“Where I am going to take you this afternoon.”
“You plan well without knowing my wishes.”
“I knew well what your wishes are. It is to see a horse I have found.”
Her voice betrayed her delight, as she cried, “Oh, good!”
“He is a beauty,” Chris said.
But her face had suddenly gone grave, and apprehension brooded in her
eyes.
“He’s called Comanche,” Chris went on. “A beauty, a regular beauty, the
perfect type of the Californian cow-pony. And his lines—why, what’s the
matter?”
“Don’t let us ride any more,” Lute said, “at least for a while. Really,
I think I am a tiny bit tired of it, too.”
He was looking at her in astonishment, and she was bravely meeting his
eyes.
“I see hearses and flowers for you,” he began, “and a funeral oration; I
see the end of the world, and the stars falling out of the sky, and the
heavens rolling up as a scroll; I see the living and the dead gathered
together for the final judgement, the sheep and the goats, the lambs and
the rams and all the rest of it, the white-robed saints, the sound of
golden harps, and the lost souls howling as they fall into the Pit—all
this I see on the day that you, Lute Story, no longer care to ride a
horse. A horse, Lute! a horse!”
“For a while, at least,” she pleaded.
Public-domain text, read in full here on John Shaqi.
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