Short stories; United States -- Social life and customs -- 20th century -- Fiction
Lute leaned well out from her horse to see. Beneath them the water slid
foaming down a smooth-faced rock to the lip, whence it leaped clear—a
pulsating ribbon of white, a-breath with movement, ever falling and ever
remaining, changing its substance but never its form, an aerial waterway
as immaterial as gauze and as permanent as the hills, that spanned space
and the free air from the lip of the rock to the tops of the trees far
below, into whose green screen it disappeared to fall into a secret
pool.
They had flashed past. The descending water became a distant murmur that
merged again into the murmur of the bees and ceased. Swayed by a common
impulse, they looked at each other.
“Oh, Chris, it is good to be alive ... and to have you here by my side!”
He answered her by the warm light in his eyes.
All things tended to key them to an exquisite pitch—the movement of
their bodies, at one with the moving bodies of the animals beneath them;
the gently stimulated blood caressing the flesh through and through with
the soft vigors of health; the warm air fanning their faces, flowing
over the skin with balmy and tonic touch, permeating them and bathing
them, subtly, with faint, sensuous delight; and the beauty of the world,
more subtly still, flowing upon them and bathing them in the delight
that is of the spirit and is personal and holy, that is inexpressible
yet communicable by the flash of an eye and the dissolving of the veils
of the soul.
So looked they at each other, the horses bounding beneath them, the
spring of the world and the spring of their youth astir in their blood,
the secret of being trembling in their eyes to the brink of disclosure,
as if about to dispel, with one magic word, all the irks and riddles of
existence.
The road curved before them, so that the upper reaches of the canyon
could be seen, the distant bed of it towering high above their heads.
They were rounding the curve, leaning toward the inside, gazing before
them at the swift-growing picture. There was no sound of warning. She
heard nothing, but even before the horse went down she experienced
the feeling that the unison of the two leaping animals was broken. She
turned her head, and so quickly that she saw Comanche fall. It was not a
stumble nor a trip. He fell as though, abruptly, in midleap, he had died
or been struck a stunning blow.
And in that moment she remembered Planchette; it seared her brain as
a lightning-flash of all-embracing memory. Her horse was back on its
haunches, the weight of her body on the reins; but her head was turned
and her eyes were on the falling Comanche. He struck the road-bed
squarely, with his legs loose and lifeless beneath him.
Public-domain text, read in full here on John Shaqi.
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