Moon of Israel: A Tale of the ExodusHaggard, H. Rider (Henry Rider)
History
Moon of Israel: A Tale of the Exodus
Haggard, H. Rider (Henry Rider)
Exodus, The -- Fiction; Jews -- History -- To 70 A.D. -- Fiction
“Never for one moment did I suppose that you could,” he replied
blandly, stretching out his hands, and leaving the staff which had
fallen from them standing in front of him. (It was not till afterwards
that I remembered that this accursed bit of wood stood there of itself
without visible support, for it rested on the paving-stone of the
gateway.) “But, as it chances, you have in this house the master, or
rather the mistress of all magicians, as every Egyptian knows to-day,
the lady Merapi, and I would see her.”
“Why do you say she is a mistress of magicians?” I asked
indignantly.
“Why does one bird know another of its own kind? Why does the water
here remain pure, when all other water turns to blood? Why do not the
frogs croak in Seti’s halls, and why do the flies avoid his meat?
Why, also, did the statue of Amon melt before her glance, while all my
magic fell back from her breast like arrows from a shirt of mail? Those
are the questions that Egypt asks, and I would have an answer to them
from the beloved of Seti, or of the god Set, she who is named Moon of
Israel.”
“Then why not go seek it for yourself, Ki? To you, doubtless, it would
be a small matter to take the form of a snake or a rat, or a bird, and
creep or run or fly into the presence of Merapi.”
“Mayhap it would not be difficult, Ana. Or, better still, I might
visit her in her sleep, as I visited you on a certain night at Thebes,
when you told me of a talk you had held with a woman in the avenue of
the Sphinxes, and of what it cost you in gold and tears. But, as it
chances, I wish to appear as a man and a friend, and to stay a while.
Bakenkhonsu tells me that he finds life here at Memphis very pleasant,
free too from the sicknesses which just now seem to be so common in
Egypt; so why should not I do the same, Ana?”
I looked at his round, ripe face, on which was fixed a smile unchanging
as that worn by the masks on mummy coffins, from which I think he must
have copied it, and at the cold, deep eyes above, and shivered a
little. To tell truth I feared this man, whom I felt to be in touch
with presences and things that are not of our world, and thought it
wisest to withstand him no more.
“That is a question which you had best put to my master Seti who owns
this house. Come, I will lead you to him,” I said.
So we went to the great portico of the palace, passing in and out
through the painted pillars, towards my own apartments, whence I
purposed to send a message to the Prince. As it chanced this was
needless, since presently we saw him seated in a little bay out of
reach of the sun. By his side was Merapi, and on a woven rug between
them lay their sleeping infant, at whom both of them gazed adoringly.
Public-domain text, read in full here on John Shaqi.
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