Moon of Israel: A Tale of the ExodusHaggard, H. Rider (Henry Rider)
History
Moon of Israel: A Tale of the Exodus
Haggard, H. Rider (Henry Rider)
Exodus, The -- Fiction; Jews -- History -- To 70 A.D. -- Fiction
“Perhaps we shall learn to-morrow night, Prince,” I answered.
“At least Merapi thinks that there is a god, and doubtless has been
commanded to put her faith to proof. This, as I believe, was the real
message that Jabez her uncle has brought to her.”
It was the hour before the dawn, just when the night is darkest. We
stood in the sanctuary of the ancient temple of Amon-Ra, that was lit
with many lamps. It was an awful place. On either side the great
columns towered to the massive roof. At the head of the sanctuary sat
the statue of Amon-Ra, thrice the size of a man. On his brow, rising
from the crown, were two tall feathers of stone, and in his hands he
held the Scourge of Rule and the symbols of Power and Everlastingness.
The lamplight flickered upon his stern and terrible face staring
towards the east. To his right was the statue of Mut, the Mother of all
things. On her head was the double crown of Egypt and the uræus crest,
and in her hand the looped cross, the sign of Life eternal. To his left
sat Khonsu, the hawk-headed god of the moon. On his head was the
crescent of the young moon carrying the disc of the full moon; in his
right hand he also held the looped cross, the sign of Life eternal, and
in his left the Staff of Strength. Such was this mighty triad, but of
these the greatest was Amon-Ra, to whom the shrine was dedicated.
Fearful they stood towering above us against the background of
blackness.
Gathered there were Seti the Prince, clothed in a priest’s white robe,
and wearing a linen headdress, but no ornaments, and Userti the
Princess, high-priestess of Hathor, Lady of the West, Goddess of Love
and Nature. She wore Hathor’s vulture headdress, and on it the disc
of the moon fashioned of silver. Also were present Roi the head-priest,
clad in his sacerdotal robes, an old and wizened man with a strong,
fierce face, Ki the Sacrificer and Magician, Bakenkhonsu the ancient,
myself, and a company of the priests of Amon-Ra, Mut, and Khonsu. From
behind the statues came the sound of solemn singing, though who sang we
could not see.
Presently from out of the darkness that lay beyond the lamps appeared a
woman, led by two priestesses and wrapped in a long cloak. They brought
her to an open place in front of the statue of Amon, took from her the
cloak and departed, glancing back at her with eyes of hate and fear.
There before us stood Merapi, clad in white, with a simple wimple about
her head made fast beneath her chin with that scarabæus clasp which
Seti had given to her in the city of Goshen, one spot of brightest blue
amid a cloud of white. She looked neither to right nor left of her.
Once only she glanced at the towering statue of the god that frowned
above, then with a little shiver, fixed her eyes upon the pattern of
the floor.
“What does she look like?” whispered Bakenkhonsu to me.
“A corpse made ready for the embalmers,” I answered.
He shook his great head.
“Then a bride made ready for her husband.”
Again he shook his head.
Public-domain text, read in full here on John Shaqi.
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