England -- Social life and customs -- Fiction; Triangles (Interpersonal relations) -- Fiction
"Will it hurt you to leave me tonight?" she whispered.
"Yes."
She touched his sleeve. "I don't like you to be hurt, yet I like that.
Will you come next Sunday?"
"Not if you're afraid. I can't come to see you if you won't let me say
things."
"I'll try not to be afraid; only, only, say them very softly so that
nothing else can hear."
He laughed and caught her hand and kissed it. "I shall do exactly what I
like," he said; but as he strode away without another word he knew from
something in the way she stood and looked at him, something of patience
and resolve, that their future was not in his hands alone.
When he was out of sight and hearing, Helen moved stiffly, as though she
waked from a long sleep and was uncertain where she was. The familiar
light shone in the kitchen of Brent Farm, yet the house seemed unreal
and remote, marooned in the high heather. The heather was thick and rich
that year, and the flowers touched her hands. The smell of honey was
heavy in the air, and thousands of small, pale moths made a
honey-coloured cloud between the purple moor and the night blue of the
sky. If she strained her ears, Helen could hear the singing of Halkett's
stream and it said things she had not heard before. A sound of voices
came from the road and she knew that some faithful Christians of the
moor were returning from their worship in the town: she remembered them
crude and ugly in their Sunday clothes, but they gathered mystery from
distance and the night. Perhaps they came from that chapel where Zebedee
had spent his unhappy hours. She turned and her hands swept the heather
flowers. This was now his praying place, as it had always been hers, and
when the Easter fires came again they would pray to them together.
At the garden door her hand fell from the latch and she faced the moor.
She lifted her arms and dropped them in a kind of pleading for mercy
from those whom she had served faithfully; then she smoothed her face
and went into the house.
In the drawing-room, Mildred Caniper was sitting on the sofa, and near
her John and Lily had disposed themselves like guests.
Helen stopped in the doorway. "Then the light in your house meant
nothing," she said reproachfully.
"What should it mean?" John asked.
"Happiness and peace--somewhere," she said.
"It does mean that," and turning to Lily, he asked, "Doesn't it?"
"Yes, yes, but don't brag about it."
They laughed together, and they sat with an alert tranquillity of
health which made Mildred Caniper look very small and frail. She was
listening courteously to the simple things John told her about animals
and crops and butter-sales, but Helen knew that she was almost too tired
to understand, and she felt trouble sweeping over her own happiness.
To hide that trouble, she asked quickly, "Where are the others?" and an
invisible Rupert answered her.
"You're the last in." He sat outside the window, and as she approached,
he added, "And I hope you have had a happy time."
Public-domain text, read in full here on John Shaqi.
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