No one knows this better than Mrs. Ward, and she has, I conceive it, purposely chosen a type such as Helbeck, almost an impossible survival in our time, because she could not otherwise have made Catholicism interesting.[1] Nor could she have succeeded in pressing home her own rooted conviction of the hopelessness of any attempt at compromise between the new spirit of reason and life and that of the faith of saints and martyrs. The modern Catholic, who stultifies himself and vilifies his faith by apologetic articles in this or that secular review, in which he attempts to show that the Church which taught the inspiration of Genesis and condemned Galileo was all the time not untrue to the scientific conceptions of Copernicus and Darwin, is a very poor person in the eyes of many of us; and one thing is abundantly certain, that by no possibility could even Mrs. Ward have made him the hero of a novel. For a Helbeck, who has reckoned up the chances of life, and deliberately made his choice, casting in his lot wholly with an idealism for which the modern world has absolutely no sympathy, we can and do feel a deep respect. But for your ambidextrous apologist or theologian, the fellow who can make words bear double meanings, and even infallible oracles tell contradictory stories, we have nothing but contempt, because he is a trifler with truth. And, now, we may turn to the book. Mrs. Humphry Ward has long taught us to expect excellence, and in _Helbeck of Bannisdale_ we are not disappointed. She does not work, indeed, on so large a canvas as in _Robert Elsmere_, nor do her materials allow her to be quite so interesting as in that masterpiece. At all events, that is my individual opinion. The atmosphere is very close throughout the book, and one has a feeling that the windows of that old, old house of Bannisdale have not been opened for centuries. One breathes a stifling air. Light and freedom come alone through that delightful creation, Laura Fountain, a creature you do not easily forget, with an instinct, rather than a reasoned conviction, of rational truth and liberty, a being of almost wild impulse, clever, though partially educated, but good to the heart's core. Altogether, a winsome, lovable girl, and tragic as was her end, one scarcely knows whether she was not happier in her fate, hurried hence on the swift waters of the river she had grown to love, than she ever could have been in her projected marriage with one to whom religion meant almost unmixed gloom. Doubtless Helbeck found consolation in it, but it was such as he was unable to allow others to share. Noble as we instinctively feel the man to be, tender as is the passion wherewith he envelops the object of his love, the shadow of the Cross is ever there. Forgotten in the first sweet hours of their mutual avowal, it soon reveals its sorrowful presence, and gradually deepens into such unutterable gloom that the broken-hearted girl is forced to surrender