Morality as a Religion: An exposition of some first principlesSullivan, W. R. Washington (William Robert Washington)
Religion
Morality as a Religion: An exposition of some first principles
Sullivan, W. R. Washington (William Robert Washington)
Conduct of life; Ethics; Religion and ethics
The result is that prophets and poets are "men of God" still, and
notwithstanding Lalande and Comte, the heavens are not so dazzling as
to quench for them the glory of a Diviner revelation which they scarce
conceal. I frankly say that I had rather believe all the fables of the
Talmud and the Koran than that the empty shadows of a vulgar
superstition are all that lie beneath the stately verse of "In
Memoriam," or the "Rabbi Ben Ezra" of Browning.
The religion of Tennyson is a perfume which fills much that he writes.
It is a "spirit" which broods over many a song, but is incarnate, so to
speak, in the elegy which immortalises the tomb of his lost friend.
For Tennyson, the spirit of poetry is the spirit of religion--a blowing
to music of the deepest thoughts of the philosopher. In "Merlin and
the Gleam" we may read this as in an allegory:--
Great the Master
And sweet the magic,
When o'er the valley
In early summers,
O'er the mountain,
On human faces,
And all around me
Moving to melody
Floated the gleam.
The spirit of poetry, which bade him follow on in spite of
discouragement, touched all on which it hovered with a mystic light,
"moving him to melody". It was the soul of religion, binding the
spirit of man to nature and to "human faces" in themselves, and to the
Supreme, in whom all is One.
But what is an allegory in the spirit of the gleam is a reality in the
song of love, "passing the love of women," which he laid as the noblest
offering ever yet made at the bier of a departed friend. The religion
of Tennyson is there, but the poem must be carefully studied if its
true inwardness is to be grasped. Isolating a few stanzas wherein the
poet, alarmed and perplexed at the cruelties and terrors of Nature, her
dark and circuitous ways, her astounding prodigality and wastefulness,
lifts up in his helplessness "lame hands of faith," and falters where
once he firmly trod, many writers have professed to see in Tennyson the
expression of a reverent agnosticism. Such agnosticism we may all
respect, for it is very different from the noisy, clamorous thing
which, aping in name the humility of greater men, insists that the
sense limitations imposed upon its own intelligence shall forthwith be
erected into a dogma to be accepted as infallible by everybody else's
intelligence. Be as reverent as Darwin in your agnosticism, as
tolerant as Comte, we would say to such men, and there is much to
commend in your teaching; but spare us the ridiculous spectacle of a
handful of pamphleteers and minor essayists arraigning the sublimest
philosophy ever known to the world, and consecrated by the homage of
ninety out of every hundred thinkers who have ever approached its
study, as a system erected upon a mirage--the image of a man's own
personality distorted by its projection into the infinite. Tennyson
himself once said that "the average Englishman's god was an
immeasurable clergyman, and that not a few of them mistook their devil
Public-domain text, read in full here on John Shaqi.
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