Great Britain -- Social life and customs -- Juvenile fiction; Love stories; Women -- Juvenile fiction
"Oh, Peg, it's the sea, the cruel sea!" cried Mrs Asplin then. "I have
such a terror of the water since my boy was drowned! It's over ten
years ago now, but it's as fresh with me as if it had been just
yesterday. My bonnie boy! You never saw him, Peg, but he was my first,
and even Rex himself was never quite the same. It's foolish of me, and
sinful into the bargain, for you are in God's keeping, wherever you may
go, and it would be selfish to spoil your enjoyment. I will try to
overcome my fear, but, Peggy dear, you know what good reason I have for
dreading suspense just now--and as you love me, don't let them miss that
train! If you were late, if you didn't appear at the right time, I
should be terrified, and imagine all sorts of horrors. I--I don't know
what would happen to me! Let nothing, _nothing_ make you late.
Remember me, Peg, in the midst of your pleasuring!"
"Mater, I will!" cried Peggy solemnly. She looked in the sweet, worn
face, and her heart beat quickly. A hundred resolutions had she made in
her life, and alas! had also broken, but this time it would go hardly
with her if she neglected her vow to her second mother.
CHAPTER TWENTY FOUR.
The next morning Peggy and Eunice converted the library into a work-
room, and cut out their blouses by the aid of paper patterns borrowed
from Mrs Saville's maid. This dignitary had made several offers of
help, which had been courteously but firmly refused, for the two new
hands were determined to accomplish their task unaided, and thereby to
secure the honour and glory to themselves.
"The first step is easy enough. Any baby could cut out by a pattern!"
Peggy declared, but an hour's work proved that it would have required a
very intelligent baby indeed to have accomplished the feat. It was
extraordinary how confusing a paper pattern could be! The only thing
that seemed more confusing than the pattern itself was the explanation
which accompanied it. Peggy tossed the separate pieces to and fro, the
while she groaned over the mysterious phrases. "`Place the perforated
edge on the bias of the cloth!' Which is the perforated edge? Which is
the bias? `Be careful to see that the nicked holes come exactly in the
middle of--' I don't know in the least which they call the `nicked
holes!' I can't think what is the use of half these silly little
pieces. If I couldn't cut out a pattern better than that, I'd retire
from the business. Why can't they tell you plainly what you have to
do?"
Public-domain text, read in full here on John Shaqi.
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