Celts -- Folklore; Fairy tales; Fairy tales -- Great Britain; Folklore -- Great Britain; Tales -- Great Britain
There is a well-known Continental folk-tale--the "Seven Swans" (or
Ravens)--of which we possess several mediaeval (12th to 13th century)
versions, all connected with the romance of the "Swan Knight." M. Gaston
Paris has studied the whole story group (_Romania_, xix. 314, &c.) with
the following results: The folk-tale of the seven swans had originally
nothing to do with the saga of the swan-knight. The connection apparent
in the 12th century texts is artificial; the swans owe their
shape-shifting capacity to the superhuman nature of their mother; this
trait has been almost effaced even in the oldest versions. The
distinguishing mark of the swans in all the versions is the possession
of silver or gold chains, which are what may be called metamorphosis
tokens; it follows from this that the contamination of the two
story-types ("Seven Swans" and "Swan Knight") must be older than the
oldest version of the first story, as these chains can only be derived
from the one with which in the Swan Knight saga the swan draws the
knight back.
In _Romania_ (xxi. 62, _seq._) M. Ferd. Lot examines the question in the
light of our tale. He points out that it indicates clearly the
superhuman nature of the mother, and that as the silver chains figure in
the story, they cannot be due in the Continental versions to
contamination with the Swan Knight saga, as M. Gaston Paris imagines. M.
Lot evidently inclines to look upon them as talismans, the abandonment
of which was the original cause of the metamorphosis, and the handling
of which at the end brings about the change back to human shape. He
points out that these chains form an essential part of the gear of
beings appearing in bird guise (especially if they belong to Faery);
thus in the 10th-century "Sickbed of Cuchulainn" the goddesses Fand and
Liban appear as two swans united by a golden chain; in the 8th to 9th
century Conception of Cuchulainn, Dechtire, the mother of the hero by
the god Lug, appears with her companions in the guise of many-hued birds
linked together by chains of silver (or red gold in one version). The
MS. evidence for these tales reaches back to the early 11th century.
Public-domain text, read in full here on John Shaqi.
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