This was practically the end of that war of the Hungarians against Queen Joan and Louis of Taranto, after whom messengers were dispatched that night to Gaeta, asking them to return, and to lead their subjects once more against the foreigners, who, said the message, had been beaten back from Naples and were in full retreat upon their former eastern base about Benevento. Soon after the return to Naples of Joan and Louis, however, a truce for twelve months was arranged between them and the Hungarian, who was now more willing to listen to reason than he had been before; so that when the Pope was invited by Joan to mediate between them, he welcomed the suggestion thankfully enough. Pope Clement’s first proposal, though, that Joan should make the King of Hungary the heir to her crown, and so put her sister Maria out of the succession, Joan refused even to contemplate; and then the Pope suggested that she should pay a lump sum in cash to the King of Hungary as ransom for all the fortresses that he still held in his hands in the Kingdom of Naples; in return for which he was to abandon all further claims upon and to the Crown. To this Joan agreed willingly; but when the proposal was made known to the King of Hungary, he said: “It is not for money or lands that I have fought, but for vengeance on my brother’s murderers. But now my work is done; the angry shades are satisfied, and I am going back to my own country.” Nor would he accept so much as a single piece of money for all the strong places and the power that were still his in the Kingdom of Naples; but gave all over, undefiled by money, to Joan, and then departed as he had come, triumphant and unapproachable. After Louis of Hungary had gone away, there came a legate from the Pope to crown Louis of Taranto as King of Naples and to solemnly ratify once more his marriage with the Queen. All of which was carried out on May 25, 1351, and the next three days, with an accompaniment of much feasting and tourneys; also a general amnesty was issued to all who had in any way taken part against their lawful Sovereigns in the late wars. The ecclesiastical ceremonies took place in the Chapel of Justice built by Charles II, to which Joan afterwards added the church called “Chiesa dell’ Incoronata” in memory of her wedding to Louis of Taranto. Among the frescoes in the church are portraits of Joan and of Louis and of the infant son of the Duke of Calabria, all painted by Roberto di Oderisio or, as some say, by his master, the great Giotto, himself.