Then cross the plain to Venice, the witch who holds east and west in
her soft hands and plays with their riches as a millionaire’s child
might slip a rain of gold pieces from one palm to another, in idleness,
recking nothing of their value. Sea and sky, priceless palace and empty
island—it is all hers—she can never exhaust her past; and our century,
jejune and vulgar as it is, only seems to touch her to a scornful
smile.
But Venice can tremble still. Once in many years there sweeps down
on her one of Nature’s handfuls of retribution—a storm that makes her
quake to her artificial incredible foundations. I saw one such. It was
in May, Venice’s most perfect month. We had been out to the Lido that
morning, bathing in water smooth as cream; there was not a cloud in the
sky. We had barely got home when inky darkness descended, and out of
it burst a gale that lashed the Grand Canal to fury, and a machine-gun
fire of hail was flung against the windows, to result, an instant
later, in a crash of broken glass and tumbling bricks that was truly
appalling. Through the tumult came shrieks and cries. Every window in
the Ducal Palace was smashed, and most of the others in the town. When
it was over—the whole thing did not last more than twenty minutes—I
went out on our balcony and picked up, from the thick layer lying
there, hailstones as big as pigeons’ eggs. The next day we went out
again to the Lido, and where a long, green pergola of vines had shaded
the way to the bathing establishment now stood a bare tracery of dry
branches. Not a single leaf was left.
But generally the Adriatic waits on Venice with subservient calm,
and one can float over those vast yet not unpictured lagoons in still
assurance that one’s reveries will not be disturbed. I doubt whether
such lengths of languorous idling be good for young, strong people, but
as a rest-cure for tired ones there can be nothing more complete. The
shape and build of the gondola (what a perfect name for the gliding,
sinuous thing!) was evolved by an artist in comfort; the enormous
leather cushions let you sink into their thickness as far as you please
without ever touching the limit of their pleasant elasticity. Whether
cowled in to keep off the sun’s rays in the day, or uncovered to give
you all the coolness of the evening, the gondola seat relieves you of
all responsibility for your body; it holds you as an experienced nurse
holds a tired child; and in its silent, swan-like rush through the
water you get just the sense of motion necessary to keep your nerves
employed yet soothed.
Public-domain text, read in full here on John Shaqi.
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