When a person is lost in meditation his eyes often appear as if fixed on a distant object (470/3. The appearance is due to divergence of the lines of vision produced by muscular relaxation. See "Expression of the Emotions," Edition II., page 239.), and the lower eyelids may be seen to contract and become wrinkled. I suppose the idea is quite fanciful, but as you say that the eyeball advances in adaptation for vision for close objects, would the eyeball have to be pushed backwards in adaptation for distant objects? (470/4. Darwin seems to have misunderstood a remark of Donders.) If so, can the wrinkling of the lower eyelids, which has often perplexed me, act in pushing back the eyeball? But, as I have said, I daresay this is quite fanciful. Gratiolet says that the pupil contracts in rage, and dilates enormously in terror. (470/5. See "Expression of the Emotions," Edition II., page 321.) I have not found this great anatomist quite trustworthy on such points, and am making enquiries on this subject. But I am inclined to believe him, as the old Scotch anatomist Munro says, that the iris of parrots contracts and dilates under passions, independently of the amount of light. Can you give any explanation of this statement? When the heart beats hard and quick, and the head becomes somewhat congested with blood in any illness, does the pupil contract? Does the pupil dilate in incipient faintness, or in utter prostration, as when after a severe race a man is pallid, bathed in perspiration, with all his muscles quivering? Or in extreme prostration from any illness? LETTER 471. TO W. TURNER. Down, March 28th [1871].