We now very generally recognise in Great Britain, as in other parts of the civilised world, the value and importance of public "museums" in the sense of "repositories of collections of objects of ancient and modern art and of natural history." Museums, as at present existing, may be divided into four kinds, according to the nature of the public or private bodies by which they have been set up and carried on. There are, first of all, national museums maintained and continually increased by the expenditure of a great State, and placed in the capital city; secondly, provincial or local museums, supported by a municipality or by local munificence; thirdly, academic museums, which are those related to the instruction and investigations carried on in a university or a school, and forming part of its regular provision for study; and, fourthly, the museums of private individuals (which as a rule, become eventually transferred by gift or purchase to some existing public museum). The word "museum" would, and often does, fitly include picture galleries, but very usually in Great Britain a museum is not considered as comprising a picture gallery, and a picture gallery is treated and managed as something distinct from "a museum." The distinction is recognised in London, where we have as separate institutions the British Museum and the National Gallery. Probably the distinct method of exhibiting and caring for pictures, and the very large amount of special knowledge connected with the reasonable employment of public funds in the purchase of these very high-priced objects, as well as the example of private collectors of pictures, are the causes which have led in the past to the complete separation of "picture galleries" from "museums." It is, however, a curious fact that the British Museum (which once possessed some oil paintings, now removed to other public galleries) retains and expends money on its splendid collections of water-colour pictures, drawings, and engravings, whilst in the latter half of the last century (in opposition to the custom of separating pictures from other museum objects) there grew up in London, under the State Department of Education, a vast collection of all kinds of works of art (pottery, furniture, lace, metal-work, etc.) of all countries and ages, including pictures, which is now sumptuously housed in the Victoria and Albert Museum.