When one tries to estimate what is really the value to the community of public "museums," one is led inevitably to the conclusion that their most important purpose--whether they are museums of natural history, of antiquities, or of art--is to serve as safe and permanent "repositories" (the old word used in the British Museum Act of 1753) for specimens which are costly and difficult to obtain--not to be either "picked up" or readily "housed" by everybody, and at the same time of real importance as "records." The first and most commanding duty of those who set up and maintain a public museum is to preserve actual things as records--records of the existence in this or that locality of each kind of plant and animal, records of the former existence of extinct plants and animals, with irrefragable certainty as to the locality and the exact strata in which they were found--records of prehistoric man, his weapons and art, and of the animals found with them, records of modern times. Everyone is familiar with this duty of the State and of local public bodies, when it is a matter of preserving written and printed records. They are preserved in various public offices and libraries, and are continually being studied by experts (volunteers or official) and copied in print, so as to furnish us with accurate knowledge of the past. It is the first and leading business of museums to collect and preserve, with great accuracy as to the locality and circumstances in which each was found, the actual concrete things which are the records of nature, and of the various stages of man's art and industries in every region of the world, just as a library or the Record Office preserves manuscripts and printed documents and books. Collections of such specimens are often made by private individuals, and become too cumbersome for him or his heirs to keep in order. They are then frequently given to a public museum, and I regret to say in many provincial museums are neglected and become mere rubbish, even if they were not so when first given. Often such gifts are rubbish before they are received, and should never have been accepted. But in a great many instances the local museum of a country town is nothing but a rubbish-heap, because the townspeople will not spend the money necessary to obtain the services of a capable curator and to provide cases, labels, catalogues, and attendance. The town councillors usually know nothing about the museum or the value of the objects gathered there, and do not recognise the duty of making it an orderly and carefully tended storehouse of the records of Nature and antiquity of the neighbourhood. Too frequently the town museum is made the means of gratifying the vanity of some local collector, who hands over all sorts of ill-chosen, badly preserved specimens to its ignorant guardians, and is advertised by labels on the cases and by votes of thanks, whilst valuable records placed there in a previous generation