But this is not the only objection to these great galleries. The multitude of objects--it may be of pictures--exhibited creates a state of mind in the visitor which prevents his enjoyment of the works of art so exhibited. He is overwhelmed by the vastness of the series offered for his examination and confused and distressed by the close setting of things which require isolation and appropriate surroundings each in its own special way, if they are to be duly appreciated. Not only this, but pictures, as well as other works of art, are, in consequence of the necessity of placing them all in the great public galleries used for the purpose, rarely placed in the most favourable conditions of lighting, and are very often so ill-lighted as to lose all their beauty even if they are not nearly invisible. More public money would be available for the proper care and study of works of art were less spent on the land, building and up-keep necessary for huge galleries. The desirability of separating a large unexhibited portion from the well-chosen and well-shown exhibited portion of works of art, exclusive of pictures, is, I believe, generally admitted. In the case of pictures the opinion has been expressed that there would be great difficulty in managing a reserved unexhibited portion of our national collections so that the pictures could be properly cared for and yet readily brought into view when required. One can well believe that a similar difficulty was anticipated when it was first proposed to keep books on shelves instead of on tables. Those who take this objection have overlooked the resources of modern engineering. Reserved pictures could be affixed in perfect security in appropriate groups on large screens, and these disposed, like the scenery above a stage, upright and in series, each screen 4 ft. distant from its neighbours. There could be three or four floors of such closely packed screens arranged in two rows, twenty in a row. On a lower floor there would be provided a room with the most perfect light possible for seeing, enjoying and studying a single one of these screens. They would all be numbered and the pictures on each catalogued. A person duly authorised and approved desires to see such and such a picture. He is given a seat in the special exhibition room. The attendant or assistant in charge touches the appropriate button, and by simple electric-lift machinery the screen upstairs carrying the desired picture travels automatically into position and then gently descends into the special exhibition room. There the other pictures on the screen may be, if it be so desired, covered by drapery, the light may be varied in intensity or direction, and, in fact, the most perfect examination of the picture in question may be made. When another button is touched, the picture-screen returns automatically to its place upstairs.