Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
The woman did not alter her rigid attitude, and kept her eyes cast down;
but the passing of the stage awakened a noticeable interest in the two
men on the front seat. The elder gazed with surprise and curiosity at
the freight that the top of the stage-coach bore--three or four
traveling trunks of unusual size, shape and color, clamped with iron and
studded with heavy nails.
“Be them trunks?” he inquired, staring open-mouthed at the sight. “I
never seen trunks like them before.”
[Illustration]
Neither of his companions answered him; but a curious new expression
came into the young man’s face. He sat up straight for the first time;
and, as the wagon drew back into the narrow road, he began to whistle
softly and melodiously.
* * * * *
When Samantha Spaulding was left a widow with a little boy, she got, as
one of her neighbors expressed it, “more politeness than pity.” In
truth, in so far as the condition has any luck about it, Samantha was
lucky in her widowhood. She was a young widow, and a well-to-do widow.
Old man Spaulding had been a good provider and a good husband; but he
was much older than his wife, and had not particularly engaged her
affections. Now that he was dead, after some eighteen months of married
life, and had left her one of the two best farms in the county,
everybody supposed that Mis’ Spaulding would marry Reuben Pett, who
owned the other best farm, besides a saw-mill and a stage-route. That
is, everybody thought so, except Samantha and Pett. They calmly kept on
in their individual ways, and showed no inclination to join their two
properties, though these throve and waxed more and more valuable year by
year. They were good friends, however. Reuben Pett was a sagacious
counselor, and a prudent man of affairs; and when Samantha’s boy became
old enough to work, he was apprenticed to Mr. Pett, to the end that he
might some day take charge of the saw-mill business, which his mother
stood ready to buy for him.
[Illustration]
But the youthful Baxter Spaulding had not reached the age of twenty when
he cast down his mother’s hopes in utter ruin by coming home from a
business trip to Augusta and announcing that he was going to marry, and
that the bride of his choice was a young lady of the variety stage who
danced for a living, her specialty being known as “hitch-and-kick.”
Public-domain text, read in full here on John Shaqi.
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