Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
The calash slowed up as it drew near the town. Suddenly it stopped
short, and both the travelers gazed with startled interest at a
capacious white tent reared by the roadside. From within this tent came
the strains of a straining melodeon. Over the portal was stretched a
canvas sign:
GOSPEL TENT OF REV. J. HANKEY.
As the travelers stared with all their eyes, they saw the flap of the
tent thrown back, and four figures came out. There were two ladies, a
stout, middle-aged lady, a shapely, buxom young lady, a tall,
broad-shouldered young man, and the fourth figure was unmistakably a
Minister of one of the Congregational denominations. The young man and
the two ladies walked down the road a little way, and, entering a
solid-looking farm wagon, drove off behind a pair of plump horses, in
the direction of the railroad station, while the minister waved them a
farewell that was also a benediction.
“Git down, Samantha!” said Reuben Pett, “and straighten out that bonnet
of yours. Parson’s got another job before prayer-meetin’ begins.”
MY DEAR MRS. BILLINGTON.
Miss Carmelita Billington sat in a bent-wood rocking-chair in an upper
room of a great hotel by the sea, and cried for a little space, and then
for a little space dabbed at her hot cheeks and red eyes with a
handkerchief wet with cologne; and dabbed and cried, and dabbed and
cried, without seeming to get any “forwarder.” The sun and the fresh
breeze and the smell of the sea came in through her open windows, but
she heeded them not. She mopped herself with cologne till she felt as if
she could never again bear to have that honest scent near her dainty
nose; but between the mops the tears trickled and trickled and trickled;
and she was dreadfully afraid that inwardly, into the surprising great
big cavity that had suddenly found room for itself in her poor little
heart, the tears would trickle, trickle, trickle forever. It was no use
telling herself she had done right. When you have done right and wish
you hadn’t had to you can’t help having a profound contempt for the
right. The right is respectable, of course, and proper and commendable
and--in short, it’s the right;--but, oh! what a nuisance it is! You
can’t help wondering in your private mind why the right is so
disagreeable and unpleasant and unsatisfactory, and the wrong so
extremely nice. Of course, it was right to refuse Jack Hatterly; but
why, why on earth couldn’t it just as easily have been right to accept
him? And the more she thought about it the more she doubted whether it
was always quite right to do right, and whether it was not sometimes
entirely wrong not to do wrong.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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