Morley Ernstein; or, the Tenants of the HeartJames, G. P. R. (George Payne Rainsford)
General
Morley Ernstein; or, the Tenants of the Heart
James, G. P. R. (George Payne Rainsford)
Fiction
Before the house, extended a long grass court, up which no carriage
could drive, and which was separated from a cross road that run in
front, by a wall about three feet high, surmounted by a row of tall,
thin, iron railings. The ornaments of the court were ten magnificent
old yew trees, forming, as it were, a sort of avenue from the gate in
the iron railing, up to the door of the house, the trees being ranged
at equal distances on either side, and a small path, formed of
dumpling-like stones placed edgeways, running between them. On either
side the court was flanked by a tall brick wall, and the only entrance
for a carriage was down a narrow lane at the side, which led by some
gates into a large paved court behind. It is true that Mr. Carr,
having quarrelled with all the gentry in the neighbourhood, and not
being particularly beloved by the great farmers, who had an idea that
he was fond of fomenting disputes, was seldom troubled with the
approach of curricle, or carriage, or one-horse chaise. But still that
lane was necessary and useful to him, as he was himself a skilful and
experienced agriculturist, though so avaricious, as often to injure
himself by grudging a load of manure where it was really necessary.
The country round was of a very curious aspect. For more than a mile
on either side, it displayed chiefly fine old grass-land, separated
into fields of every size and shape by thick-set hedges, well kept,
but totally without trees. The scenery, though not at all mountainous,
or even hilly, might be called hillocky, for it was so undulating,
that if a field contained more than four acres, it was certain to have
in it both a hill and a valley; and through several of the latter ran
a clear trout-stream, giving great luxuriance to the grass, and
rendering it the finest pasture ground in the world. There was an air,
however, of bareness about the landscape, from the want of trees,
which accorded well with the bald antiquity of the old house, and on a
summer evening, when the sun was going down, and the slant beams
peered over the green uplands, one might sit in that stone porch, and
fancy oneself a yeoman of the olden time, so much did the ancient
aspect of the whole scene sink into the heart.
Public-domain text, read in full here on John Shaqi.
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