Though every shaft took place, he spent the store
Of his full quiver; and 'twas long before
The expiring serpent wallowed in his gore.
Then, to preserve the fame of such a deed,
For Python slain he Pythian games decreed,
Where noble youths for mastership should strive--
To quoit, to run, and steeds and chariots drive.
The prize was fame; in witness of renown,
An oaken garland did the victor crown.
The laurel was not yet for triumphs born,
But every green, alike by Phoebus worn,
Did, with promiscuous grace, his flowing locks adorn.
--Metamorphoses. Trans. by DRYDEN.
The victory of Apollo over the Python is represented by a statue
called Apollo Belvedere, perhaps the greatest existing work of
ancient art. It was found in 1503, among the ruins of ancient
Antium, and it derives its name from its position in the belvedere,
or open gallery, of the Vatican at Rome, where it was placed by
Pope Julius II. It shows the conception which the ancients had
of this benign deity, and also the high degree of perfection to
which they had attained in sculpture. A modern writer gives the
following account of it:
"The statue is of heroic size, and shows the very perfection
of manly beauty. The god stands with the left arm extended, still
holding the bow, while the right hand, which has just left the
string, is near his hip. This right hand and part of the right
arm, as well as the left hand, were wanting in the statue when
found, and were restored by Angelo da Montor'soli, a pupil of
Michael Angelo. The figure is nude; only a short cloak hangs over
the left shoulder. The breast is full and dilated; the muscles are
conspicuous, though not exaggerated; the body seems a little thin
about the hips, but is poised with such singular grace as to impart
to the whole a beauty hardly possessed by any other statue. The
sculptor is not known: many attribute the statue to He-ge'si-as,
the Ephesian, others to Praxit'e-les or Cal'amis; but its origin
and date must remain a matter of conjecture."
The following poetical description of this wonderful statue is
given us by THOMSON:
All conquest-flushed, from prostrate Python came
The quivered god. In graceful act he stands,
His arm extended with the slackened bow:
Light flows his easy robe, and fair displays
A manly, softened form. The bloom of gods
Seems youthful o'er the bearded cheek to wave;
His features yet heroic ardor warms;
And, sweet subsiding to a native smile,
Mixed with the joy elating conquest gives,
A scattered frown exalts his matchless air.
THE NATIONAL COUNCILS.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account