Deme'trius, when he basely fled the field,
A Spartan born, his Spartan mother killed;
Then, stretching forth his bloody sword, she cried
(Her teeth fierce gnashing with disdainful pride),
"Fly, cursed offspring, to the shades below,
Where proud Euro'tas shall no longer flow
For timid hinds like thee! Fly, trembling slave,
Abandoned wretch, to Pluto's darkest cave!
For I so vile a monster never bore:
Disowned by Sparta, thou'rt my son no more."
--TYMNÆ'US.
There were three classes among the population of Laconia--the
Dorians, of Sparta; their serfs, the He'lots; and the people of
the provincial districts. The former, properly called Spartans,
were the ruling caste, who neither employed themselves in
agriculture nor practiced any mechanical art. The Helots were
slaves, who, as is generally believed, on account of their
obstinate resistance in some early wars, and subsequent conquest,
had been reduced to the most degrading servitude. The people of
the provincial districts were a mixed race, composed partly of
strangers who had accompanied the Dorians and aided them in their
conquest, and partly of the old inhabitants of the country who
had submitted to the conquerors. The provincials were under the
control of the Spartan government, in the administration of which
they had no share, and the lands which they held were tributary to
the state; they formed an important part of the military force of
the country, and had little to complain of but the want of
political independence.
* * * * *
II. SPARTAN POETRY AND MUSIC.
With all her devotion to the pursuit of arms, the bard, the
sculptor, and the architect found profitable employment in Sparta.
While the Spartans never exhibited many of those qualities of
mind and heart which were cultivated at Athens with such wonderful
success, they were not strangers to the influences of poetry and
music. Says the poet CAMPBELL, "The Spartans used not the trumpet
in their march into battle, because they wished not to excite
the rage of their warriors. Their charging step was made to the
'Dorian mood of flute and soft recorder.' The valor of a Spartan
was too highly tempered to require a stunning or rousing impulse.
His spirit was like a steed too proud for the spur."
They marched not with the trumpet's blast,
Nor bade the horn peal out,
And the laurel-groves, as on they passed,
Rung with no battle-shout!
They asked no clarion's voice to fire
Their souls with an impulse high;
But the Dorian reed and the Spartan lyre
For the sons of liberty!
And still sweet flutes, their path around,
Sent forth Eolian breath;
They needed not a sterner sound
To marshal them for death!
--MRS. HEMANS.
Public-domain text, read in full here on John Shaqi.
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