Of Euripides MR. SYMONDS remarks: "His lasting title to fame
consists in his having dealt with the deeper problems of life
in a spirit which became permanent among the Greeks, so that
his poems never lost their value as expressions of current
philosophy. Nothing strikes the student of later Greek literature
more strongly than this prolongation of the Euripidean tone of
thought and feeling. In the decline of tragic poetry the literary
sceptre was transferred to comedy; and the comic playwrights may
be described as the true successors of Euripides. The dialectic
method, which he affected, was indeed dropped, and a more
harmonious form of art than the Euripidean was created for comedy
by Menan'der, when the Athenians, after passing through their
disputatious period, had settled down into a tranquil acceptation
of the facts of life. Yet this return to harmony of form and
purity of perception did not abate the influence of Euripides.
Here and there throughout his tragedies he had said, and well
said, what the Greeks were bound to think and feel upon important
matters; and his sensitive, susceptible temperament repeated
itself over and over again among his literary successors. The
exclamation of Phile'mon that, if he could believe in immortality,
he would hang himself to see Euripides, is characteristic not
only of Philemon, but also of the whole Macedonian period of
Greek literature." [Footnote: "The Greek Poets." Second Series,
p. 300.]
Euripides wrote about seventy-five plays, of which eighteen have
come down to us. The Me-de'a, which is thought to be his best
piece, is occupied with the circumstances of the vengeance taken
by Medea on the ungrateful Jason, the hero of the Argonautic
expedition, for whom she had sacrificed all, and who, after his
return, abandoned her for a royal Corinthian bride. [Footnote:
See Argonautic Expedition, p. 81.] But the most touching of the
plays of Euripides is the Alces'tis, founded on the fable of
Alcestis dying for her husband, Adme'tus. MILTON thus alludes
to the story, in his sonnet on his deceased wife:
Methought I saw my late espoused saint
Brought to me, like Alcestis, from the grave,
Whom Jove's great son to her glad husband gave,
Rescued from death by force, though pale and faint.
The substance of the story is as follows:
Public-domain text, read in full here on John Shaqi.
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