The only other monument of art to which we shall refer in this connection is the celebrated Temple of Theseus, built of marble by Cimon as a resting-place for the bones of the distinguished hero. [Footnote: Cimon conquered the island of Scy'ros, the haunt of pirates, and brought thence to Athens what were supposed to be the bones of Theseus.] It is of the Doric order, one hundred and four feet by forty-five, and surrounded by columns, of which there are six at each front and thirteen at the sides. The roof, friezes, and cornices of this temple have been but little impaired by time, and the whole is one of the most noble remains of the ancient magnificence of Athens, and the most nearly perfect, if not the most beautiful, existing specimen of Grecian architecture. The Temple of Theseus. Here let us pause, e'en at the vestibule Of Theseus' fame. With what stern majesty It rears its ponderous and eternal strength, Still perfect, still unchanged, as on the day When the assembled throng of multitudes With shouts proclaimed the accomplished work, and fell Prostrate upon their faces to adore Its marble splendor! How the golden gleam Of noonday floats upon its graceful form, Tinging each grooved shaft, and storied frieze, And Doric triglyph! How the rays amid The opening columns, glanced from point to point, Stream down the gloom of the long portico! * * * * * How the long pediment, Embrowned with shadows, frowns above, and spreads Solemnity and reverential awe! Proud monument of old magnificence! Still thou survivest; nor has envious Time Impaired thy beauty, save that it has spread A deeper tint, and dimmed the polished glare Of thy refulgent whiteness. --HAYGARTH. So much for some of the architectural wonders of Athens. As BULWER says, "It was the great characteristic of these works that they were entirely the creation of the people. Without the people Pericles could not have built a temple nor engaged a sculptor. The miracles of that day resulted from the enthusiasm of a population yet young--full of the first ardor for the beautiful-- dedicating to the state, as to a mistress, the trophies honorably won, or the treasures injuriously extorted, and uniting the resources of a nation with the energy of an individual, because the toil, the cost, were borne by those who succeeded to the enjoyment and arrogated the glory." TALFOURD, in his Athenian Captive, calls all that went to make up Athens in the days of her glory An opening world, Diviner than the soul of man hath yet Been gifted to imagine--truths serene Made visible in beauty, that shall glow In everlasting freshness, unapproached By mortal passion, pure amid the blood And dust of conquests, never waxing old, But on the stream of time, from age to age, Casting bright images of heavenly youth To make the world less mournful.