New England -- Social life and customs -- Fiction; Short stories, American
Rosina had emerged from the arbor, and was bending over him with the
shadow of his anguish reflected in her countenance, yet so mingled with
hope and unselfish love that all anguish seemed but an earthly shadow
and a dream. She touched Roderick with her hand. A tremor shivered
through his frame. At that moment, if report be trustworthy, the
sculptor beheld a waving motion through the grass, and heard a tinkling
sound, as if something had plunged into the fountain. Be the truth as
it might, it is certain that Roderick Elliston sat up like a man
renewed, restored to his right mind, and rescued from the fiend which
had so miserably overcome him in the battle-field of his own breast.
“Rosina!” cried he, in broken and passionate tones, but with nothing of
the wild wail that had haunted his voice so long, “forgive! forgive!”
Her happy tears bedewed his face.
“The punishment has been severe,” observed the sculptor. “Even Justice
might now forgive; how much more a woman’s tenderness! Roderick
Elliston, whether the serpent was a physical reptile, or whether the
morbidness of your nature suggested that symbol to your fancy, the
moral of the story is not the less true and strong. A tremendous
Egotism, manifesting itself in your case in the form of jealousy, is as
fearful a fiend as ever stole into the human heart. Can a breast, where
it has dwelt so long, be purified?”
“Oh yes,” said Rosina with a heavenly smile. “The serpent was but a
dark fantasy, and what it typified was as shadowy as itself. The past,
dismal as it seems, shall fling no gloom upon the future. To give it
its due importance we must think of it but as an anecdote in our
Eternity.”
THE CHRISTMAS BANQUET
FROM THE UNPUBLISHED “ALLEGORIES OF THE HEART.”
“I have here attempted,” said Roderick, unfolding a few sheets of
manuscript, as he sat with Rosina and the sculptor in the
summer-house,—“I have attempted to seize hold of a personage who glides
past me, occasionally, in my walk through life. My former sad
experience, as you know, has gifted me with some degree of insight into
the gloomy mysteries of the human heart, through which I have wandered
like one astray in a dark cavern, with his torch fast flickering to
extinction. But this man, this class of men, is a hopeless puzzle.”
“Well, but propound him,” said the sculptor. “Let us have an idea of
hint, to begin with.”
Public-domain text, read in full here on John Shaqi.
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