I manufactured a great variety of plots and skeletons of tales, and kept them ready for use, leaving the filling up to the inspiration of the moment; though I cannot remember ever to have told a tale which did not vary considerably from my preconceived idea, and acquire a novelty of aspect as often as I repeated it. Oddly enough, my success was generally in proportion to the difference between the conception and accomplishment. I provided two or more commencements and catastrophes to many of the tales,—a happy expedient, suggested by the double sets of sleeves and trimmings which diversified the suits in Sir Piercy Shafton’s wardrobe. But my best efforts had a unity, a wholeness, and a separate character that did not admit of this sort of mechanism. THE VILLAGE THEATRE About the first of September my fellow-traveller and myself arrived at a country town, where a small company of actors, on their return from a summer’s campaign in the British Provinces, were giving a series of dramatic exhibitions. A moderately sized hall of the tavern had been converted into a theatre. The performances that evening were, The Heir at Law, and No Song, no Supper, with the recitation of Alexander’s Feast between the play and farce. The house was thin and dull. But the next day there appeared to be brighter prospects, the playbills announcing at every corner, on the town-pump, and—awful sacrilege!—on the very door of the meeting-house, an Unprecedented Attraction! After setting forth the ordinary entertainments of a theatre, the public were informed, in the hugest type that the printing-office could supply, that the manager had been fortunate enough to accomplish an engagement with the celebrated Story-Teller. He would make his first appearance that evening, and recite his famous tale of Mr. Higginbotham’s Catastrophe, which had been received with rapturous applause by audiences in all the principal cities. This outrageous flourish of trumpets, be it known, was wholly unauthorized by me, who had merely made an engagement for a single evening, without assuming any more celebrity than the little I possessed. As for the tale, it could hardly have been applauded by rapturous audiences, being as yet an unfilled plot; nor even when I stepped upon the stage was it decided whether Mr. Higginbotham should live or die. In two or three places, underneath the flaming bills which announced the Story-Teller, was pasted a small slip of paper, giving notice, in tremulous characters, of a religious meeting to be held at the school-house, where, with divine permission, Eliakim Abbott would address sinners on the welfare of their immortal souls.