New England -- Social life and customs -- Fiction; Short stories, American
“Would I not? to be sure I would!” replied Annie Hovenden, lightly
laughing. “Come; explain to me quickly what is the meaning of this
little whirligig, so delicately wrought that it might be a plaything
for Queen Mab. See! I will put it in motion.”
“Hold!” exclaimed Owen, “hold!”
Annie had but given the slightest possible touch, with the point of a
needle, to the same minute portion of complicated machinery which has
been more than once mentioned, when the artist seized her by the wrist
with a force that made her scream aloud. She was affrighted at the
convulsion of intense rage and anguish that writhed across his
features. The next instant he let his head sink upon his hands.
“Go, Annie,” murmured he; “I have deceived myself, and must suffer for
it. I yearned for sympathy, and thought, and fancied, and dreamed that
you might give it me; but you lack the talisman, Annie, that should
admit you into my secrets. That touch has undone the toil of months and
the thought of a lifetime! It was not your fault, Annie; but you have
ruined me!”
Poor Owen Warland! He had indeed erred, yet pardonably; for if any
human spirit could have sufficiently reverenced the processes so sacred
in his eyes, it must have been a woman’s. Even Annie Hovenden, possibly
might not have disappointed him had she been enlightened by the deep
intelligence of love.
The artist spent the ensuing winter in a way that satisfied any persons
who had hitherto retained a hopeful opinion of him that he was, in
truth, irrevocably doomed to unutility as regarded the world, and to an
evil destiny on his own part. The decease of a relative had put him in
possession of a small inheritance. Thus freed from the necessity of
toil, and having lost the steadfast influence of a great
purpose,—great, at least, to him,—he abandoned himself to habits from
which it might have been supposed the mere delicacy of his organization
would have availed to secure him. But when the ethereal portion of a
man of genius is obscured the earthly part assumes an influence the
more uncontrollable, because the character is now thrown off the
balance to which Providence had so nicely adjusted it, and which, in
coarser natures, is adjusted by some other method. Owen Warland made
proof of whatever show of bliss may be found in riot. He looked at the
world through the golden medium of wine, and contemplated the visions
that bubble up so gayly around the brim of the glass, and that people
the air with shapes of pleasant madness, which so soon grow ghostly and
forlorn. Even when this dismal and inevitable change had taken place,
the young man might still have continued to quaff the cup of
enchantments, though its vapor did but shroud life in gloom and fill
the gloom with spectres that mocked at him. There was a certain
irksomeness of spirit, which, being real, and the deepest sensation of
which the artist was now conscious, was more intolerable than any
Public-domain text, read in full here on John Shaqi.
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