"Put it in your button hole," said Nancy. "It is the last; I gave your
father one of the first a month ago."
"I shall put this in my pocket book and send it to my mother in a
letter," Tom replied. ("And tell her it looks just like the girl who
planted it," he thought; "sweet, fragrant, spicy, graceful, vigorous,
full of color.")
"Now come in and meet mother," said Nancy. "The polka is over, and soon
they will be 'forming on' for The Tempest."
Tom Hamilton's entrance and introduction proved so interesting that it
delayed the dance for a few moments. Then Osh Popham and the master
fiddler tuned their violins and Mrs. Carey assisted Susie Bennett at the
piano, so that there were four musicians to give fresh stimulus to the
impatient feet.
Tom Hamilton hardly knew whether he would rather dance with Nancy or
stand at the open door and watch her as he had been doing earlier in the
evening. He could not really see her now, although he was her partner,
his mind was so occupied with the intricate figures, but he could feel
her, in every fibre of his body, the touch of her light hand was so
charged with magnetism.
Somebody swung the back doors of the barn wide open. The fields, lately
mown, sloped gently up to a fringe of pines darkly green against the
sky. The cool night air stirred the elms, and the brilliant moon
appeared in the very centre of the doorway. The beauty of the whole
scene went to Tom Hamilton's head a little, but he kept his thoughts
steadily on the changes as Osh Popham called them.
To watch Nancy Carey dance The Tempest was a sight to stir the blood.
The two head couples joined hands and came down the length of the barn
four abreast; back they went in a whirl; then they balanced to the next
couple, then came four hands round and ladies' chain, and presently they
came down again flying, with another four behind them. The first four
were Nancy and Tom, Ralph Thurston and Kathleen, the last two among the
best dancers in Beulah; but while Kitty was slim and straight and
graceful as a young fawn, Nancy swept down the middle of the barn floor
like a flower borne by the breeze. She was Youth, Hope, Joy incarnate!
She had washed the dishes that night, would wash them again in the
morning, but what of that? What mattered it that the years just ahead
(for aught she knew to the contrary) were full of self-denial and
economy? Was she not seventeen? Anything was possible at seventeen! What
if the world was to be a work-a-day world? There was music and laughter
in it as well as work, and there was love in it, too, oceans of love, so
why not trip and be merry and guide one's young partner safely through
the difficult mazes of the dance and bring him out flushed and
triumphant, to receive mother's laughing compliments?
Public-domain text, read in full here on John Shaqi.
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