France -- Social life and customs -- Fiction; Short stories, French -- Translations into English
“Pooh!... What o’clock is it? If it’s five, the friend whose name I was
interlacing on the bark there with my own has ceased to exist, for at
midday he was haled away to the revolutionary tribunal. His name was
Gesrin, and he was a volunteer in the army of the North. I made his
acquaintance here in the prison. We passed some agreeable hours together
at the foot of this tree. He was a worthy young fellow.... But I must
set about making you feel at home, my dear.”
And seizing Fanny by the waist, she carried her off to the room where
she herself slept, and obtained the turnkey’s promise not to part her
from her friend.
They decided that the following morning they would join forces in
washing the floor of their room.
The evening meal, meagrely provided by a patriotic eating-house keeper,
was served in common. Each prisoner brought his plate and his wooden
cover (metal covers were not allowed), and received his portion of pork
and cabbage. At that coarse repast Fanny met women whose gaiety
astonished her. As in the case of Madame d’Auriac, their headdresses
were scrupulously arranged and they wore unimpeachable costumes. Though
death was in sight, they had not lost the womanly desire to please.
Their conversation was as gallant as their persons, and Fanny was soon
abreast of the love affairs which were knit and unknit in these gloomy
courtyards where death lent a keener edge to love. Then, overcome with
an indescribable agitation, she was seized with a great longing to clasp
another hand in her own.
She called to mind the man who loved her, to whom she had never yielded
herself, and a pang of regret, cruel as remorse, rent her heart. Tears
as scalding as tears of passion coursed down her cheeks. By the light of
the smoky lamp which lit up the table she took note of her companions,
whose eyes glittered with fever, and she thought—
“We are condemned to die, all of us. How is it that I am sad and
perturbed in spirit, whilst for these women life and death are equally a
matter of no concern?”
And all night she wept upon her pallet.
II
Twenty long monotonous days have passed heavily by. The courtyard where
the lovers were wont to go in search of quiet and shade is deserted this
evening. Fanny, stifled in the moist air of the corridors, has just sat
down on the mound of turf which encircles the base of the old acacia
that gives the courtyard its shade. The acacia is in flower, and the
breeze passing through its branches emerges charged with the heavy
perfume. Fanny catches sight of a scrap of paper fastened to the bark of
the tree underneath the device which Antoinette traced there. On this
paper she reads some verses by the poet Vigée, like herself a prisoner.
Public-domain text, read in full here on John Shaqi.
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