Lady Isabel Talbot-Lowry had invited what is concisely spoken of as "people" to tea and tennis. The month was June, but the weather was March, or at best, a sullen and overcast April. The purport of the entertainment had been the exhibition, to rival amateurs, of the Mount Music herbaceous borders, which, though "not looking quite their best," were as nearly approximating to that never-achieved ideal, as is ever the case with either gardens or children; but showers of chill rain had marred the display, and the lawn tennis was fitful, and subject to frequent interruption. In these circumstances, a fire of turf and logs did not need apologies for its presence, and Lady Isabel and her companion Heads of Households sat with it as their focal point, and thought, as they saw the players flitting to and fro between the showers, and the house, and the lawn tennis grounds, that middle age had privileges that were not to be despised. The long and lofty drawing-room of Mount Music was a pleasant place enough, even on this showery day. Some five or six generations of Talbot-Lowrys had lived in it, and left their marks on it, and though the indelible hand of Victoria, in youthful vigour, had had, perhaps, the most perceptible influence on it as a whole, the fancies and fashions of Major Dick's great-grandmother still held their places. An ottoman, large as a merry-go-round at a fair, immovable as an island, occupied, immutably, the space in the centre of the room immediately under a great cut-glass chandelier. Facing it was the fireplace, an affair of complicated design, with "Nelson ropes" and knots, and coils, in worked and twisted brass, and deep hobs, in whose construction the needs of a punch-kettle had not been forgotten. Above it, a high, delicately-inlaid marble mantelpiece, brought from Italy by Dick's great-grandfather, was surmounted by a narrow ledge of marble, just wide enough to support the base of a Georgian mirror of flamboyant design, in whose dulled and bluish depths were reflected the row of old white china birds, that were seated, each on its own rock, on the shelf in front of it. Family portraits in frames whose charm of design and colour made atonement for the indifference of the painting, alternated with brown landscapes in which castles, bridges, and impenetrable groves were dimly to be discovered through veils of varnish; flotillas of miniatures had settled, like groups of flies, wherever on the crowded walls foothold could be found, and water-colours, pencil-drawings, and photographs, rilled any remaining space. There were long and implacable sofas, each with its conventional sofa-table in front of it; Empire _consoles_, with pieces of china incredibly diverse in style, beauty, and value, jostling each other on the marble slabs; woolwork screens, worked by forgotten aunts and grandmothers, chairs of every known breed, and tables, tables everywhere, and not a corner on one of them on which anything more could be deposited.