Gordon placed on the table before him the statements and accounts of his
newly-augmented options. The papers, to his clerical inefficiency,
presented a bewildering mass of inexplicable details and accounts. He
brought them, with vast difficulty, into a rough order. In the lists of
the acreages of timber controlled there were appended none of the names of
those from whom his privilege of option had been obtained, no note of the
slightly-varying sums paid--the sole, paramount facts to Gordon now. For
the establishment of these he was obliged to refer to the original,
individual contracts, to compare and add and check off.
Old Pompey had conducted his transactions largely from his buggy, lending
them a speciously casual aspect. The options made to him were written on
slips of paper hastily torn from a cheap note book, engrossed on yellowing
sheets of foolscap in tremulous Spencerian. Their wording was informal,
often strictly local. One granted privilege of purchase of, "The piney
trees on Pap's and mine but not Henny's for nineteen years." Another bore,
above the date, "In this year of Jesus Christ's holy redemption."
The sales made to Valentine Simmons were, invariably, formal in record,
the signatures were all witnessed.
It was a slow, fatiguing process. A number of the original vendors, Gordon
knew, had died, their families were scattered; others had removed from the
County; logical substitutes had to be evolved. The mere comparison of the
various entries, the tracing of the tracts to the amounts involved, was
scarcely within Gordon's ability.
He labored through the swiftly-falling dusk into the night, and took up
the task early the following morning. A large part of the work had to be
done a second, third, time--his brain, unaccustomed to concentrated mental
processes, soon grew weary; he repeated aloud a fact of figures without
the least comprehension of the sounds formed by his lips, and he would say
them again and again, until he had forced into his blurring mind some
significance, some connection.
He would fall asleep over his table, his scattered papers, in the grey
daylight, or in the radiance of a large glass lamp, and stay immobile for
hours, while his dog lay at his feet, or, uneasy, nosed his sharp, relaxed
knees.
No one would seek him, enter his house, break his exhausted slumbers.
Lying on an outflung arm his head with its sunken, closed eyes, loose
lips, seemed hardly more alive than the photographed clay of Mrs.
Hollidew in the sitting room. He would wake slowly, confused; the dog
would lick his inert hand, and they would go together in search of food to
the kitchen.
On the occasions when he was forced to go to the post-office, the store,
he went hurriedly, secretively, in a coat as green, as aged, as Pompey's
own.
Public-domain text, read in full here on John Shaqi.
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