The room next to the kitchen, that had been Clare's, had been stripped of
its furnishing, and a glistening yellow pine table set in the middle, with
six painted wood chairs. The table was perpetually spread on a fringed red
or blue cloth; the center occupied by a large silver-plated castor, its
various rings filled with differently shaped bottles and shakers. At the
end where Lettice sat heavy white cups and saucers were piled; at Gordon's
place a knife and fork were propped up on their guards. On either side
were the plates of Simeon and Mrs. Caley. Each place boasted a knife and
formidable steel fork--the spoons were assembled in a glass
receptacle--and a napkin thrust into a ring of plaited hair plainly marked
with the sign of the respective owner.
Mrs. Caley silently put before Gordon a pinkish loin of pork, boiled
potatoes and a bowl of purple, swimming huckleberries; this she fortified
by a vessel of gravy and section of pie. There was tea. "Where's Lettice?"
Gordon demanded. Apparently Mrs. Caley had not heard him. "Lettice," he
raised his voice; "here's supper."
"I don't want anything to eat, thank you, Gordon," she returned from
another room.
"You ought to eat," he called back, attacking the pork. Then he muttered,
"--full of ideas and airs. Soft."
III
Beyond the dining room was their bedroom, and beyond that a chamber which,
for years in a state of deserted, semi-ruin, Gordon had had newly floored
and rendered weather-proof, and now used as a place of assemblage. He
found Lettice there when he had finished supper.
She was sitting beside a small table which held a lighted lamp with a
shade of minute, woven pieces of various silks. Behind her was a cottage
organ, a mass of fretted woodwork; a wall pierced by a window was
ornamented by a framed photograph of a woman dead and in her coffin. The
photograph had faded to a silvery monotony, but the details of the rigid,
unnatural countenance, the fixed staring eyes, were still clear. Redly
varnished chairs with green plush cushions and elaborate, thread
antimacassars, a second table ranged against the wall, bearing a stout
volume entitled "A Cloud of Witnesses," and a cheap phonograph, completed
the furnishing.
It was warm without, but Lettice had shut the window, the shawl was still
about her shoulders. She was sewing upon a small piece of white material.
"Here, General, here," Gordon commanded, and the dog followed him
seriously into the room. "Pat him, Lettice, so's he'll get to know you,"
he urged.
"I don't think I want to," she began; but, at her husband's obvious
impatience, she experimented doubtfully, "Here, puppy."
"Can't you call him by his name?" he interrupted. "How ever'll he come to
know it?"
"I don't want to call him at all," she protested, a little wildly. "I
don't like him to-night; perhaps to-morrow I will feel different."
"Well, do or don't, that dog's a part of the house, and I don't want to
hear Mrs. Caley say this or that about it, neither."
Public-domain text, read in full here on John Shaqi.
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