Moxon's mechanick exercises, volume 1 (of 2) : $b The doctrine of handy-works applied to the art of printingMoxon, Joseph
History
Moxon's mechanick exercises, volume 1 (of 2) : $b The doctrine of handy-works applied to the art of printing
Moxon, Joseph
Printing -- Early works to 1800
Before the _Caster_ begins to _Cast_ he must kindle his _Fire_ in the
_Furnance_, to _Melt_ the _Mettal_ in the _Pan_. Therefore he takes
the _Pan_ out of the Hole in the Stone, and there lays in _Coals_ and
kindles them. And when it is well kindled, he sets the _Pan_ in again,
and puts _Mettal_ into it to _Melt_. If it be a small _Bodyed-Letter_
he _Casts_, or a thin _Letter_ of Great _Bodies_, his _Mettal_ must
be very hot; nay, sometimes Red-hot to make the Letter _Come_. Then
having chose a _Ladle_ that will hold about so much as the _Letter_ and
_Break_ is, he lays it at the _Stoking-hole_, where the Flame bursts
out to heat. Then he ties a thin Leather cut into such a Figure as is
described in Plate 20 at B with its narrow end against the _Face_ to
the _Leather-Groove_ of the _Matrice_, by whipping a Brown Thread twice
about the _Leather-Groove_, and fastning the Thread with a Knot. Then
he puts both Halves of the _Mold_ together, and puts the _Matrice_
into the _Matrice Cheek_, and places the _Foot_ of the _Matrice_ on
the _Stool_ of the _Mold_, and the broad end of the _Leather_ upon the
_Wood_ of the upper half of the _Mold_, but not tight up, lest it might
hinder the _Foot_ of the _Matrice_ from _Sinking_ close down upon the
_Stool_ in a train of Work. Then laying a little Rosin on the upper
_Wood_ of the _Mold_, and having his _Casting Ladle_ hot, he with the
bolling side of it Melts the Rosin; And when it is yet _Melted_ presses
the broad end of the _Leather_ hard down on the _Wood_, and so fastens
it to the _Wood_. All this is Preparation.
Now he comes to _Casting_. Wherefore placing the under-half of the
_Mold_ in his left hand, with the _Hook_ or _Hag_ forward, he clutches
the ends of its _Wood_ between the lower part of the _Ball_ of his
Thumb and his three hind-Fingers. Then he lays the upper half the
_Mold_ upon the under-half, so as the _Male-Gages_ may fall into the
_Female-Gages_, and at the same time the _Foot_ of the _Matrice_ place
it self upon the _Stool_. And clasping his left-hand Thumb strong over
the upper half of the _Mold_, he nimbly catches hold of the _Bow_ or
_Spring_ with his right-hand Fingers at the top of it, and his Thumb
under it, and places the point of it against the middle of the _Notch_
in the back-side of the _Matrice_, pressing it as well forwards towards
the _Mold_, as downwards by the _Sholder_ of the _Notch_ close upon the
_Stool_, while at the same time with his hinder-Fingers as aforesaid,
he draws the under-half of the _Mold_ towards the _Ball_ of his Thumb,
and thrusts by the _Ball_ of his Thumb the upper part towards his
Fingers, that both the _Registers_ of the _Mold_ may press against
both sides of the _Matrice_, and his Thumb and Fingers press both
Halves of the _Mold_ close together.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account