Moxon's mechanick exercises, volume 1 (of 2) : $b The doctrine of handy-works applied to the art of printingMoxon, Joseph
History
Moxon's mechanick exercises, volume 1 (of 2) : $b The doctrine of handy-works applied to the art of printing
Moxon, Joseph
Printing -- Early works to 1800
But he Files not athwart the sides of his _Punch_; for that might make
the Foot-Line Roundish, by a Mounting and Dipping the Hand is prone
to; as I shewed, _Vol._ I. _Fol._ 15, 16. But he holds his File so as
the Length of it may hang over the Length of the Shank of the _Punch_,
and dip upon it at the Face of the _Punch_, with a Bevel, or Angle,
of about 100 Degrees with the Face of the _Punch_. This Angle you may
measure with the _Beard-Gage_, described in _Plate_ 10. _Fig._ C. at
_k_. Then Filing with the File in this Position, the Foot-Line will be
made a true straight Line. But yet he examines it too by applying the
_Liner_ to it; and holding the _Punch_ and _Liner_ thus to the Light;
If the _Liner_ touches all the way on the Foot-Line, he concludes it
true; if not, he mends it till it do.
Then he uses his proper _Steel-Gage_, and places the Sholder of it
against the Shank of the _Punch_ at the Foot-Line; and pressing the
Sholder of the _Steel-Gage_ close against the Foot-Line, he, with the
Tooth of the _Gage_ makes a Mark or Race on the side of the Face,
opposite to the Foot-line: And that Mark or Race shall be from the
Foot-Line, the Bounds of the Heighth of that Letter.
Then on the Face he draws or marks the exact shape of the Letter, with
a Pen and Ink if the Letter be large, or with a smooth blunted Point
of a Needle if it be small: Then with sizable and proper shaped and
Pointed Sculptors and Gravers, digs or Sculps out the Steel between the
Stroaks or Marks he made on the Face of the _Punch_, and leaves the
Marks standing on the Face.
If the Letter be great he is thus to Sculp out, he then, with a Graver,
Cuts along the Insides of the drawn or marked Stroaks, round about all
the Hollow he is Cutting-in. And having Cut about all the sides of
that Hollow, he Cuts other straight Lines within that Hollow, close
to one another (either parallel or aslope, it matters not) till he
have filled the Hollow with straight Lines; and then again, Cuts in
the same Hollow, athwart those straight Lines, till he fill the Hollow
with Thwart Lines also. Which straight Lines, and the Cuttings athwart
them, is only to break the Body of Steel that lies on the Face of the
_Punch_ where the Hollow must be; that so the Round-Back’d Sculptor may
the easier Cut through the Body of the Steel, in the Hollow, on the
Face of the _Punch_; even as I told you, _Numb._ 4. _Vol._ I. §. 2. the
Fore-Plain makes way for the Fine Plains.
Public-domain text, read in full here on John Shaqi.
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