East and West -- Fiction; Married people -- Fiction
troubled Madame Sên as little as it concerned her, but she always had
hugged a personal vein of wickedness of her personal own. And because
she had no right to wear even a tinge of yellow, she often did, and
often had since widowhood had made her supreme in the house of the Sêns.
No one outside her gates would know, for no one within her gates would
presume or dare to report.
A vase of almost inestimable value, a porcelain saucer of melon seeds,
with a tiny-bowled, long-stemmed silver pipe, a tinder and a
gold-lacquer box of fine tobacco and a tiny queenly fan lying near it,
stood on a small, octagonal, carved teak-wood table beside her; a small,
tight bouquet of mint and sage and musk lay on her lap; a tiny tame
monkey, tethered by a silver chain, perched on the top of the tall,
throne-like chair; and about her neck Sên Ya Tin wore, as she always
did, the long mandarin chain of cornelian beads of her dead
husband’s—as the widow of a British officer often wears his regimental
badge.
She sat with her face square to the panel that had slid open for King-lo
and slid close again behind him, and her unmoved face was a wrinkled,
lifeless mask.
Three times Sên King-lo k’o-towed to the floor, then stood with downcast
eyes and hands meek within his wide sleeves and waited for her to
command.
She let him wait, neither pleasure nor love nor welcome in her adamant
eyes.
The water-clock dripped a long minute away.
Sên King-lo did not lift his eyes. Sên Ya Tin did not move hers. She
watched him stiffly through unwavering narrow lids—and so did the
mouse-sized monkey, too.
“Approach!” she said in a cold, relentless voice.
Sên King-lo neared her by three slow steps; his padded Chinese shoes
made no sound as he moved; his hands were still hid in his sleeves; his
eyes were still on the floor. And then he k’o-towed again, and again
three times, then stood and waited as before.
Again she let him wait—but not so long.
“Nearer!”
Three steps more he went, three more obeisances he made, and as he stood
again erect he lifted his eyes to the face of his father’s mother. And
Sên Ya Tin sent her eyes to his, steady old eyes, harder than age, that
looked but told nothing, gave no hint or sign.
It was nearly twenty years since his eyes and hers had met; for she had
been ill with smallpox when he had been in China last, and she had
forbidden him—as her will and self-control had forbidden the smallpox
to disfigure her. And boy and pox had obeyed.
She looked at him long, coldly. And he waited for her to signal or
speak; to beckon or dismiss.
His eyes were the eyes of her father. A silver nail-protector studded
with diamonds clattered a little against a pearl-studded one of gold.
His mouth was the mouth of her favorite and first-born son. The
cornelian beads moved a little on her bosom.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account