This story is essentially the history of the opening and of the realisation of the Great War as it happened to one small group of people in Essex, and more particularly as it happened to one human brain. It came at first to all these people in a spectacular manner, as a thing happening dramatically and internationally, as a show, as something in the newspapers, something in the character of an historical epoch rather than a personal experience; only by slow degrees did it and its consequences invade the common texture of English life. If this story could be represented by sketches or pictures the central figure would be Mr. Britling, now sitting at his desk by day or by night and writing first at his tract "And Now War Ends" and then at other things, now walking about his garden or in Claverings park or going to and fro in London, in his club reading the ticker or in his hall reading the newspaper, with ideas and impressions continually clustering, expanding, developing more and more abundantly in his mind, arranging themselves, reacting upon one another, building themselves into generalisations and conclusions.... All Mr. Britling's mental existence was soon threaded on the war. His more or less weekly _Times_ leader became dissertations upon the German point of view; his reviews of books and Literary Supplement articles were all oriented more and more exactly to that one supreme fact.... It was rare that he really seemed to be seeing the war; few people saw it; for most of the world it came as an illimitable multitude of incoherent, loud, and confusing impressions. But all the time he was at least doing his utmost to see the war, to simplify it and extract the essence of it until it could be apprehended as something epic and explicable, as a stateable issue.... Most typical picture of all would be Mr. Britling writing in a little circle of orange lamplight, with the blinds of his room open for the sake of the moonlight, but the window shut to keep out the moths that beat against it. Outside would be the moon and the high summer sky and the old church tower dim above the black trees half a mile away, with its clock--which Mr. Britling heard at night but never noted by day--beating its way round the slow semicircle of the nocturnal hours. He had always hated conflict and destruction, and felt that war between civilised states was the quintessential expression of human failure, it was a stupidity that stopped progress and all the free variation of humanity, a thousand times he had declared it impossible, but even now with his country fighting he was still far from realising that this was a thing that could possibly touch him more than intellectually. He did not really believe with his eyes and finger-tips and backbone that murder, destruction, and agony on a scale monstrous beyond precedent was going on in the same world as that which slumbered outside the black ivy and silver shining window-sill that framed his peaceful view.