Didactic fiction; Political fiction; Social problems -- Fiction
Austen got to his feet. His own expression, curiously enough, had not
changed to one of anger. His face had set, but his eyes held the look
that seemed still to express compassion, and what he felt was a sorrow
that went to the depths of his nature. What he had so long feared--what
he knew they had both feared--had come at last.
"Good-by, Judge," he said.
Hilary Vane stared at him dumbly. His anger had not cooled, his eyes
still flamed, but he suddenly found himself bereft of speech. Austen put
his hand on his father's shoulder, and looked down silently into his
face. But Hilary was stiff as in a rigour, expressionless save for the
defiant red in his eye.
"I don't think you meant all that, Judge, and I don't intend to hold it
against you."
Still Hilary stared, his lips in the tight line which was the emblem of
his character, his body rigid. He saw his son turn and walk to the door,
and turn again with his handle on the knob, and Hilary did not move. The
door closed, and still he sat there, motionless, expressionless.
Austen was hailed by those in the outer office, but he walked through
them as though the place were empty. Rumours sprang up behind him of
which he was unconscious; the long-expected quarrel had come; Austen had
joined the motley ranks of the rebels under Mr. Crewe. Only the office
boy, Jimmy Towle, interrupted the jokes that were flying by repeating,
with dogged vehemence, "I tell you it ain't so. Austen kicked Ham
downstairs. Ned Johnson saw him." Nor was it on account of this
particular deed that Austen was a hero in Jimmy's eyes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account