Mr. Punch's History of Modern England, Vol. 1 (of 4).—1841-1857Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 1 (of 4).—1841-1857
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
Among the features of vanishing and now vanished London, the Fleet
Prison has already been noticed. It passed "unwept, unhonoured, and
unsung," save in the ironical valediction pronounced by _Punch_ on the
occasion of the sale of the materials of the prison in 1846. Holywell
Street, swept away by recent improvements, was still reckoned as one of
London's lions, though a dingy one at best. The glories of Vauxhall
Gardens were expiring, and the Colosseum in Regent's Park, which, with
its Panorama of London, statues, works of dubious art and Swiss scenery,
was a precursor of the Earl's Court Exhibitions, had fallen on evil
days, and was sold in 1843 by the famous George Robins, the "Cicero of
auctioneers." For the splendour of Astley's Circus in the 'forties,
_Punch_ forms a useful commentary on the delightful mock ballads of _Bon
Gaultier_. Gomersal, the famous equestrian impersonator of Napoleon, was
going strong in 1844. His retirement to a hostelry at Hull in 1849 is
attributed by _Punch_ to disgust at the failure of Imperialism.
Widdecomb, the illustrious ring-master, and the subject of many of
_Punch's_ pleasantries, earned the distinction of a mention by Browning,
who refers to him as resembling Tom Moore, with his "painted cheeks and
sham moustache," and he finds a niche in the Pantheon of the D.N.B.
Astley's is the mere shadow of a name to the present generation, and
only elderly Londoners can recall the delights of the Polytechnic as a
place more of entertainment than instruction, with the tank and diving
bell and electrifying apparatus, dear to mid-Victorian schoolboys in
their Christmas holidays. These are duly chronicled by _Punch_ along
with the attractions of Rosherville Gardens, then presided over by Baron
Nathan, one of the irregular _impresario_ peers who do not appear in
"Debrett," of whom the last representative was Lord George Sanger. Baron
Nathan catered for a mixed audience, but as a director of dances he
appealed to a fashionable _clientèle_. When Burnand wrote the libretto
of _Cox and Box_ in 1866, Rosherville was the paradise of the City
clerk, witness Cox's song,
My aged employer, his whole physiognomy
Shining with soap like a star in astronomy,
Said "Mr. Cox, you'll oblige me and honour me
If you will take this as your holiday!"
Then visions of Brighton and back and of Rosherville--
Feeling the rain put on my mackintosh I vill, etc.
Brighton already justified its title of "London-on-Sea," and the volume
of excursion traffic had begun to provoke complaints from the residents
as likely to impair the amenities of the place. These complaints the
democratic _Punch_ denounced as snobbish; and he speaks of Brighton in
1841 as the home of half-pay officers with dyed whiskers. Later on,
however, he takes a somewhat different view in his realistic pictures of
the Semitic invaders.
[Sidenote: _Burlington Arcadia_]
Public-domain text, read in full here on John Shaqi.
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