Mr. Punch's History of Modern England, Vol. 1 (of 4).—1841-1857Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 1 (of 4).—1841-1857
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
8. To strengthen the latter belief, let her have a lady's maid.
9. And lastly, having given her such an education, marry her to a
clerk in the Treasury upon £75 a year, or to an ensign who is going
out to India.
If, with the above careful training, your daughter is not finished,
you may be sure it is no fault of yours, and you must look upon her
escape as nothing short of a miracle.
[Footnote 18: George Alexander Lee (1802-51), son of a London publican
and pugilist, "tiger" to Lord Barrymore, and subsequently tenor singer,
music seller, lessee of Drury Lane, composer and music director at the
Strand and Olympic Theatres. Among his many songs and ballads, popular
in their day, were "Away, Away to the Mountain's Brow," "The Macgregor's
Gathering," and "Come where the Aspens Quiver."]
[Illustration: SPORTING MAN (loquitur): "I say, Charles, that's a
promising little filly along o' that bay-haired woman who's talking to
the black-cob-looking man."]
The "higher education" of women was not discussed in these days of
Keepsakes and Books of Beauty, though, as we have seen, the official
recognition of learned women and authoresses--Mrs. Somerville and Maria
Edgeworth--was supported by _Punch_. In his "Letters to a Young Man
about Town," Thackeray frequently insists on the refining influence of
good women in Society, but intellectual ladies met with little
encouragement from his pen or pencil; he liked to see women at dinners,
regretted their early departure, and suggested that the custom of the
gentlemen remaining behind might be modified if not abolished; "the only
substitute for them or consolation for the want of them is smoking."
_Punch_ castigates the caprice of flirts, while admitting their
fascination. He ridicules the imaginary ailments of fashionable women
exhausted by gaiety; but he waxes bitterly indignant over "the Old
Bailey ladies" who obtained access to the chapel at Newgate to listen to
the "condemned sermon" in the presence of a convicted murderer, or
scrambled for seats at the trials of notorious malefactors. The only
excuse for this odious curiosity was that their menfolk set the women
the worst possible example. Executions were public, and were freely
patronized by the nobility and gentry. The most powerful of the
_Ingoldsby Legends_ deals with this ugly phase of early Victorian
manners, and can be verified from the pages of _Punch_, who tells us
how, on the occasion of an execution in June, 1842:--
All the houses opposite to the prison (Old Bailey) had been let to
sight-seeking lovers at an enormous price, and, in several
instances, the whole of the casements were taken out and raised
seats erected for their accommodation. In one case a noble lord was
pointed out to the reporter as having been a spectator at the last
four or five executions: his price for his seat was said to be
fifteen pounds.
Public-domain text, read in full here on John Shaqi.
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