Mr. Punch's History of Modern England, Vol. 2 (of 4).—1857-1874Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 2 (of 4).—1857-1874
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
Another pioneer whose talents _Punch_ was quick to recognize was John
Parry, the first, and as some old critics think, the best of the series
of single-handed musical entertainers. Parry began as a serious
musician, but soon found that his true bent lay in humorous sketches of
the trials and tribulations and futilities of amateurs. After seeing
Dundreary for the nineteenth time, _Punch_ was persuaded by a friend to
see John Parry in _Mrs. Roseleaf's Party_ at the Gallery of
Illustration. He was rewarded by a truly exhilarating impersonation of
Mrs. Roseleaf, her little pet daughter, a tender tenor with a chronic
cold in his head, a fascinating ringleted "Gusheress," and a
matter-of-fact musician--all done by one gentlemanly actor without
change of dress. Parry's gifts as a pianist extorted the admiration of
eminent artists, and we may pardon _Punch_ for saying that "none but
himself can be his Parrylel."
[Sidenote: _Sims Reeves_]
Sims Reeves had been energetically supported by _Punch_ in his refusal
of encores. But when he was "conspicuous by his absence, as everybody
might have known," on the occasion of a charitable performance in 1864,
_Punch_ made bold to observe that "considering how often Mr. Reeves is
indisposed, it is high time that a deputy should be permanently hired
for him." On this particular occasion "the usual medical certificate was
produced and read amid the laughter of the audience, who had clearly
come prepared to hear the usual apology which is expected now whenever
Mr. Sims Reeves is announced." These are hard words, but the excuse was
so frequently made that concert-givers in the provinces were in the
habit of posting over their bills the reassuring announcement: "Sims
Reeves has arrived." Even then he could not always be reckoned on. The
famous tenor had undoubtedly a very delicate throat, and objected
strongly to sing if he was not feeling perfectly fit. But his inordinate
vanity was also a contributory cause. Sir Charles Hallé used to tell a
story how, on one occasion, when Sims Reeves was engaged to sing at
Manchester, he failed to appear at rehearsal. Hallé went off at once to
his hotel--for he had "arrived"--and was told that Mr. Reeves was too
ill to sing; but persisting in his intention, he was admitted to the
sick chamber and found that the illness was due to the fact that Sims
Reeves's name had been printed in the bills in the same type as the
other performers. Sir Charles Hallé accordingly sent for copies, and by
a process of accurate measurement succeeded in demonstrating that this
awful act of _lèse-majesté_ had not been committed and that "Sims
Reeves" was printed in larger capitals than any other name. Whereupon
the patient made a wonderful recovery and fulfilled his engagement.
[Illustration: DRAWING-ROOM MINSTRELS
(What they have to put up with sometimes.)
Public-domain text, read in full here on John Shaqi.
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