Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
_September 1st, 1885._ In pursuance of the orders of H.R.H. The
Ranger, the stall-holders in St. James's Park, who represented the
ancient "Milk Fair," held for nearly two centuries in the Mall, were
ordered to close their booths and remove their cows. Two only of the
stall-keepers refused to comply and after a strong protest in the
newspapers, stating that some of the existing tenants had held stalls
for more than a century [_sic_], the order for their immediate removal
was relaxed and a compromise at length effected.
The respite granted to these interesting centenarians expired a few
years later, and now the St. James's Park menagerie contains nothing
larger than the pelicans.
[Sidenote: _Demolition and Innovation_]
The proposed demolition of Staple Inn in 1886 was peculiarly
distasteful to _Punch_, who held all these old buildings in pious
reverence, and inspired him to indite a ballad of remonstrance to
the builder. As a matter of fact, the protest was premature, for the
Prudential Assurance Company, into whose hands it passed by purchase,
maintained the building as a relic of vanishing London. No such regrets
as those awakened by the passing of Staple Inn were aroused by the
announcement in 1887 that the Old Bailey and Newgate Prison were to be
demolished. When the old Fleet prison was dismantled, _Punch_ could
indulge in legitimate rejoicing, because it marked the close of a harsh
and cruel penal system--imprisonment for debt. Here it was only a case
of structural and sanitary improvements. In ancient days there were
prisons impressive by their dignity of design. Their purpose inspired
the strange and sinister side of Piranesi's genius in his famous
imaginative series of "Carcere." But a modern gaol can at best be an
unobtrusive reminder of a still necessary evil.
Public-domain text, read in full here on John Shaqi.
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