Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892Graves, Charles L. (Charles Larcom)
History
Mr. Punch's History of Modern England, Vol. 3 (of 4).—1874-1892
Graves, Charles L. (Charles Larcom)
Great Britain -- History -- Victoria, 1837-1901 -- Humor
Photography has much to answer for; and certainly played its part in
luring the titled classes from their ivory towers, and creating the
professional beauty. The "Giddy Society Lady," as portrayed by _Punch_
in 1890, is a new version of the "Model Fast Lady" he described some
forty years earlier, and though less mannish in her deportment, is much
more flashy, vulgar and selfish than her predecessor. Tailor-made by
day, excessively _décolletée_ at night, and preferring Bessie Bellwood
to Beethoven, this semi-detached and expensive wife as delineated by
_Punch_ is not an attractive figure. Yet with very few changes the
portrait might stand for the modern society Maenad. Cigarette-smoking,
it should be noted, was still considered "fast." Another recurrent
type of unlovely womanhood much in evidence in these years is the "old
Bailey lady" as _Punch_ christened her many years before. In 1886 the
writer of "A Bad Woman's Diary" expressly states that she would not go
to a theatre in Lent, though she spends all her spare time attending
murder trials. _Punch_ did not spare the judges who lent themselves to
this abuse, as may be gathered from the following dialogue:--
HER GRACE: "Thank you so much for keeping such nice places
for us, Judge! It was quite a treat! What romantic looking creatures
they are, those four pirates! I suppose they really did cut the
Captain and Mate and Cook into bits, and there's no doubt about the
Verdict?"
SIR DRACO: "Very little indeed, I fear!"
HER GRACE: "Poor Dears! I suppose if I and the girls get
there between five and six to-morrow, we shall be in time to see you
pass the sentence? Sorry to miss your summing-up, but we've got an
afternoon concert, you know!"
SIR DRACO: "I'll take care that it shall be all right for
you, Duchess!"
So, again, under the sarcastic heading, "True Feminine Delicacy of
Feeling," this morbid curiosity is scarified in the conversation of two
ladies in 1889:--
EMILY (_who has called to take Lizzie to the great Murder
Trial_): "What, deep black, dearest?"
LIZZIE: "Yes. I thought it would be only decent, as the poor
wretch is sure to be found guilty."
EMILY: "Ah! Where I was dining last night, it was even
betting which way the verdict would go, so I only put on half
mourning!"
[Illustration: TAKING TIME BY THE FORELOCK
GWENDOLINE: "Uncle George says every woman ought to have a
profession, and I think he's quite right!"
MAMMA: "Indeed! And what profession do you mean to choose?"
GWENDOLINE: "I mean to be a professional beauty!"]
It was in the same year that _Punch_ published a double cut, showing
the _tricoteuses_ under the guillotine at the French Revolution, and,
as a pendant, society ladies in a modern English Court of Justice.
[Sidenote: _The Terrors of Reminiscence_]
Public-domain text, read in full here on John Shaqi.
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